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Category: entertainment – Page 43
Recent technological advances, such as the development of increasingly sophisticated machine learning algorithms and robots, have sparked much debate about artificial intelligence (AI) and artificial consciousness. While many of the tools created to date have achieved remarkable results, there have been many discussions about what differentiates them from humans.
More specifically, computer scientists and neuroscientists have been pondering on the difference between intelligence and “consciousness,” wondering whether machines will ever be able to attain the latter. Amar Singh, Assistant Professor at Banaras Hindu University, recently published a paper in a special issue of Springer Link’s AI & Society that explores these concepts by drawing parallels with the fantasy film “Being John Malkovich.”
“Being John Malkovich” is a 1999 film directed by Spike Jonze and featuring John Cusack, Cameron Diaz, and other famous Hollywood stars. The film tells the story of a puppeteer who discovers a portal through which he can access the mind of the movie star John Malkovich, while also altering his being.
Imagine this: A smooth touchscreen display placed on top of a thin silicone polymer film suddenly generates the feeling of a tiny raised button under the user’s finger. Or how about the idea of wearing that same polymer film like a second skin? If used to line an industrial glove, the film can provide valuable feedback by gesture recognition and by sending tactile signals, such as pulses or vibrations, to the wearer. The research team led by Professor Stefan Seelecke of Saarland University will be at this year’s Hannover Messe, the industrial trade fair running from 30 May to 2 June, where the team will be demonstrating how smart tactile surfaces are now being used as novel human-machine interfaces.
Seelecke’s research team at Saarland University are using thin silicone films to give surfaces some very novel capabilities. The technology, which is able to create the sensation of a tactile “button” or “slider” on flat glass display screens, is literally bringing a new dimension to touchscreen interactions. The polymer film is able to change shape on demand to create the feeling of a raised button or a key on the surface of the display that the user can then use, for example, to navigate around a page or to enter data.
“Using this technology, we can make the user interfaces of smart phones, information screens or household devices more user friendly,” said Seelecke, who heads the Intelligent Material Systems Lab at Saarland University. If a user feels a pulse or vibration under their fingertips, they can then respond by tapping the screen. And because the user also experiences the slight resistance that we feel when we press a ‘real’ button or switch, they know that their response has been successful. For the blind and partially sighted, this sort of physical feedback is not a gimmick, but hugely valuable in their day to day lives.
Today we’re going to shine some light on Lumen, the fully dynamic global illumination and reflections system featured in Unreal Engine 5.
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Hi, we’re Daniel and Krzysztof, engineers working on Lumen is Unreal Engine 5’s fully dynamic global illumination and reflections system, which is enabled out of the box. It is designed for next-generation consoles and high-end visualizations beyond games like architectural visualization. Here, we’ll walk through Lumen’s features and give an overview of the technical details. For a complete reference, see the Lumen documentation.
When light leaves a light source, it illuminates all of the surfaces visible from that light source; this is known as direct lighting in computer graphics. In real life, it doesn’t stop there though, it bounces off the surface, picking up the color of the surface as it goes. Light that bounces off of a rough surface in all directions is called diffuse indirect lighting or global illumination. Light that bounces specularly off a smooth surface is called a reflection. Eventually the light reaches your eye, or a camera, and forms an image.
In the past, global illumination, for most games, had to be solved in an offline process called lightmap baking, because it was too computationally expensive to be calculated in real time. In Unreal Engine, lightmaps are baked through CPU Lightmass or GPU Lightmass. Static lighting from lightmaps can provide very high quality, but requires long build times, and greatly constrains the game environment. Any action which changes the indirect lighting in a significant way, like moving a wall-mounted television, will leave lighting in an incorrect state.
The two-story restaurant will be accompanied by two 45-foot LED movie screens and 28 superchargers.
Water scarcity is a major problem for much of the world’s population, but with the right equipment drinking water can be wrung out of thin air. Researchers at the University of Texas at Austin have now demonstrated a low-cost gel film that can pull many liters of water per day out of even very dry air.
The gel is made up of two main ingredients that are cheap and common – cellulose, which comes from the cell walls of plants, and konjac gum, a widely used food additive. Those two components work together to make a gel film that can absorb water from the air and then release it on demand, without requiring much energy.
First, the porous structure of the gum attracts water to condense out of the air around it. The cellulose meanwhile is designed to respond to a gentle heat by turning hydrophobic, releasing the captured water.
It doesn’t have to be all fun and games in the Metaverse, especially when its best use cases are the ones that need a different reality the most. Thanks to a few companies that have large marketing machines, the word “Metaverse” has become muddled in hype and controversy. While the current use of the coined word might be new to our ears, the technologies that empower it have been around for quite some time now. And they aren’t always used for games or entertainment, even if that is what everyone thinks these days. In fact, one of the most frequent early adopters of these technologies come from the medical field, which continuously tests new equipment, theories, and digital experiences to help improve lives. So while mainstream media, carmakers, and social networks continue to shine the light on new ways to experience different worlds, the Metaverse, its concepts, and its applications are already sneaking their way into medical and scientific institutions, ready to take healthcare to the next, augmented reality level.
Human-level artificial intelligence is close to finally being achieved, according to a lead researcher at Google’s DeepMind AI division.
Dr Nando de Freitas said “the game is over” in the decades-long quest to realise artificial general intelligence (AGI) after DeepMind unveiled an AI system capable of completing a wide range of complex tasks, from stacking blocks to writing poetry.
Described as a “generalist agent”, DeepMind’s new Gato AI needs to just be scaled up in order to create an AI capable of rivalling human intelligence, Dr de Freitas said.
Robin Murphy, a roboticist at Texas A&M University has published a Focus piece in the journal Science Robotics outlining her views on the robots portrayed in “Star Wars,” most particularly those featured in “The Mandalorian” and “The Book of Boba Fett.” In her article, she says she believes that the portrayals of robots in both movies are quite creative, but suggests they are not wild enough to compete with robots that are made and used in the real world today.
Murphy begins by noting that one robot in particular, IG-11 in the Mandalorian, makes for good viewing with a rotating head that allows for shooting at targets in any direction, but she also notes that such a robot would very likely be overly susceptible to joint failure and would be saddled with huge computational demands. She suggests a more practical design would involve the use of fixed-array sensors.
Murphy also notes that robots in “Star Wars” movies do fail on occasion, generally during suspenseful scenes, which she further notes might explain why the empire met with its demise. As just one example, she wonders why the stormtroopers so often miss their targets. She also notes that in some ways, droids in “Star Wars” movies tend to be far more advanced than droids in the real world, allowing them to hold human-like jobs such as bartending, teaching or translating. In so doing, she points out, producers of the movies have shied away from showing them doing more mundane work, like mining.