Written By: Jason Dorrier — Singularity Hub
In his latest video, host of National Geographic’s Brain Games and techno-poet, Jason Silva, explores the universe’s tendency to self-organize. Biology, he says, seems to have agency and directionality toward greater complexity, and humans are the peak.
“It’s like human beings seem to be the cutting edge,” Silva says. “The evolutionary pinnacle of self-awareness becoming aware of its becoming.”
Since Maquis Books published The Traveller and Pandemonium, a novel authored by me from 2011–2014, I have been responding as insightfully as possible to reviews and also discussing the book’s political and philosophical themes wherever I can. Set in a fictional alien world, much of this book’s 24 chapters are politically themed on the all too real human weakness of infighting and resorting to hardline, extremist and even messianic plans when faced with a desperate situation.
The story tells about human cultures battling to survive in a deadly alien ecosystem. There the human race, rather than keeping animals in cages, must keep their own habitats in cages as protection from the world outside. The human characters of the story live out a primitive existence not typical of science-fiction, mainly aiming at their own survival. Technological progress is nonexistent, as all human efforts have been redirected to self-defense against the threat of the alien predators.
Even though The Traveller and Pandemonium depicts humanity facing a common alien foe, the various struggling human factions still fail to cooperate. In fact, they turn ever more hostilely on each other even as the alien planet’s predators continue to close in on the last remaining human states. At the time the story is set, the human civilization on the planet is facing imminent extinction from its own infighting and extremism, as well as the aggressive native plant and animal life of the planet.
The more sinister of the factions, known as the Cult, preaches the pseudo-religious doctrine that survival on the alien world will only be possible through infusions of alien hormones and the rehabilitation of humanity to coexist with the creatures of the planet at a biological level. However, there are censored side effects of the infusions that factor into the plot, and the Cult is known for its murderous opposition to anyone who opposes its vision.
The only alternative seems to be a second faction, but it is equally violent, and comes under the leadership of an organization who call themselves the Inquisitors. In their doctrine, humans must continue to isolate themselves from the alien life of the planet, but this should extend to exterminating the alien life and the aforementioned Cult that advocates humans transmuting themselves to live safely on the planet.
I believe that this aspect of the story, a battle between two militant philosophies, serves well to capture the kind of tension and violent irrationality that can engulf humanity in the face of existential risks. There is no reason to believe that hypothetical existential risks to humanity such as a deadly asteroid impact, an extraterrestrial threat, runaway global warming, alien contact or a devastating virus would unite the planet, and there is every reason to believe that it would divide the planet. It is often the case that the more argument there is for authority and submission to a grand plan in order to survive, the greater the differences of opinion and the greater the potential for divergence and conflict.
Social habits, politics, beliefs and even the cultural trappings of the different human cultures clinging to the alien planet are fully represented in the book. In all, the story has had significant time and care put into refining it to create a compelling and believable depiction of life in an inhospitable parallel world, and readers remarked in reviews that it is a “masterclass in world-building”.
The central character of the story, nicknamed the Traveler, together with his companion, do not really subscribe to either of the extremist philosophies battling over humanity’s fate on the alien planet, but their ideas may be equally strange. Instead, they reject the alien world in which they live. With an almost religious naïveté, they are searching for a “better place”. It is through this part of the plot that the concepts of religious faith and hope are visited. Of course, at all times the reader knows they are right – there is a “better place” only not the religious kind. Ultimately, the quest is for Earth, although the characters have never heard of such a place and have only inferred that it might somehow exist and represent an escape from the hostile planet where they were born.
Reviewers have acknowledged that by inverting the relationship of humanity and nature so that nature is on the advance and humans are receding and diminishing in the setting of this science-fiction novel, a unique and compelling setting is created. I believe the story offers my best exploration of a number of political and ethical themes, such as how people feel pressured to choose between hardline factions in times of extreme desperation and in the face of existential threats. Science fiction is a worthy medium in which to express and explore not only the future, but some of the most troubling political and philosophical scenarios that have plagued humanity’s past.
Uploading the content of one’s mind, including one’s personality, memories and emotions, into a computer may one day be possible, but it won’t transfer our biological consciousness and won’t make us immortal.
Uploading one’s mind into a computer, a concept popularized by the 2014 movie Transcendence starring Johnny Depp, is likely to become at least partially possible, but won’t lead to immortality. Major objections have been raised regarding the feasibility of mind uploading. Even if we could surpass every technical obstacle and successfully copy the totality of one’s mind, emotions, memories, personality and intellect into a machine, that would be just that: a copy, which itself can be copied again and again on various computers.
Neuroscientists have not yet been able to explain what consciousness is, or how it works at a neurological level. Once they do, it is might be possible to reproduce consciousness in artificial intelligence. If that proves feasible, then it should in theory be possible to replicate our consciousness on computers too. Or is that jumpig to conclusions ?
Once all the connections in the brain are mapped and we are able to reproduce all neural connections electronically, we will also be able run a faithful simulation of our brain on a computer. However, even if that simulation happens to have a consciousness of its own, it will never be quite like our own biological consciousness. For example, without hormones we couldn’t feel emotions like love, jealously or attachment. (see Could a machine or an AI ever feel human-like emotions ?)
Some people think that mind uploading necessarily requires to leave one’s biological body. But there is no conscensus about that. Uploading means copying. When a file is uploaded on the Internet, it doesn’t get deleted at the source. It’s just a copy.
The best analogy to understand that is cloning. Identical twins are an example of human clones that already live among us. Identical twins share the same DNA, yet nobody would argue that they also share a single consciousness.
It will be easy to prove that hypothesis once the technology becomes available. Unlike Johnny Depp in Transcend, we don’t have to die to upload our mind to one or several computers. Doing so won’t deprive us of our biological consciousness. It will just be like having a mental clone of ourself, but we will never feel like we are inside the computer, without affecting who we are.
If the conscious self doesn’t leave the biologically body (i.e. “die”) when transferring mind and consciousness, it would basically mean that that individual would feel in two places at the same time: in the biological body and in the computer. That is problematic. It’s hard to conceive how that could be possible since the very essence of consciousness is a feeling of indivisible unity.
If we want to avoid this problem of dividing the sense of self, we must indeed find a way to transfer the consciousness from the body to the computer. But this would assume that consciousness is merely some data that can be transferred. We don’t know that yet. It could be tied to our neurons or to very specific atoms in some neurons. If that was the case, destroying the neurons would destroy the consciousness.
Even assuming that we found a way to transfer the consciousness from the brain to a computer, how could we avoid consciousness being copied to other computers, recreating the philosophical problem of splitting the self. That would actually be much worse since a computerized consciousness could be copied endless times. How would you then feel a sense of unified consciousness ?
Since mind uploading won’t preserve our self-awareness, the feeling that we are ourself and not someone else, it won’t lead to immortality. We’ll still be bound to our bodies, but life expectancy for transhumanists and cybernetic humans will be considerably extended.
Immortality is a confusing term since it implies living forever, which is impossible since nothing is eternal in our universe, not even atoms or quarks. Living for billions of years, while highly improbable in itself, wouldn’t even be close to immortality. It may seem like a very large number compared to our short existence, but compared to eternity (infinite time), it isn’t much longer than 100 years.
Even machines aren’t much longer lived than we are. Actually modern computers tend to have much shorter life spans than humans. A 10-year old computer is very old indeed, as well as slower and more prone to technical problems than a new computer. So why would we think that transferring our mind to a computer would grant us greatly extended longevity ?
Even if we could transfer all our mind’s data and consciousness an unlimited number of times onto new machines, that won’t prevent the machine currently hosting us from being destroyed by viruses, bugs, mechanical failures or outright physical destruction of the whole hardware, intentionally, accidentally or due to natural catastrophes.
In the meantime, science will slow down, stop and even reverse the aging process, enabling us to live healthily for a very long time by today’s standards. This is known as negligible senescence. Nevertheless, cybernetic humans with robotic limbs and respirocytes will still die in accidents or wars. At best we could hope to living for several hundreds or thousands years, assuming that nothing kills us before.
As a result, there won’t be that much differences between living inside a biological body and a machine. The risks will be comparable. Human longevity will in all likelihood increase dramatically, but there simply is no such thing as immortality.
Artificial Intelligence could easily replicate most of processes, thoughts, emotions, sensations and memories of the human brain — with some reservations on some feelings and emotions residing outside the brain, in the biological body. An AI might also have a consciousness of its own. Backing up the content of one’s mind will most probably be possible one day. However there is no evidence that consciousness or self-awareness are merely information that can be transferred since consciousness cannot be divided in two or many parts.
Consciousness is most likely tied to neurons in a certain part of the brain (which may well include the thalamus). These neurons are maintained throughout life, from birth to death, without being regenerated like other cells in the body, which explains the experienced feeling of continuity.
There is not the slightest scientific evidence of a duality between body and consciousness, or in other words that consciousness could be equated with an immaterial soul. In the absence of such duality, a person’s original consciousness would cease to exist with the destruction of the neurons in his/her brain responsible for consciousness. Unless one believes in an immaterial, immortal soul, the death of one’s brain automatically results in the extinction of consciousness. While a new consciousness could be imitated to perfection inside a machine, it would merely be a clone of the person’s consciousness, not an actual transfer, meaning that that feeling of self would not be preserved.
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This article was originally published on Life 2.0.
Computers will soon be able to simulate the functioning of a human brain. In a near future, artificial superintelligence could become vastly more intellectually capable and versatile than humans. But could machines ever truly experience the whole range of human feelings and emotions, or are there technical limitations ?
In a few decades, intelligent and sentient humanoid robots will wander the streets alongside humans, work with humans, socialize with humans, and perhaps one day will be considered individuals in their own right. Research in artificial intelligence (AI) suggests that intelligent machines will eventually be able to see, hear, smell, sense, move, think, create and speak at least as well as humans. They will feel emotions of their own and probably one day also become self-aware.
There may not be any reason per se to want sentient robots to experience exactly all the emotions and feelings of a human being, but it may be interesting to explore the fundamental differences in the way humans and robots can sense, perceive and behave. Tiny genetic variations between people can result in major discrepancies in the way each of us thinks, feels and experience the world. If we appear so diverse despite the fact that all humans are in average 99.5% identical genetically, even across racial groups, how could we possibly expect sentient robots to feel the exact same way as biological humans ? There could be striking similarities between us and robots, but also drastic divergences on some levels. This is what we will investigate below.
Computers are undergoing a profound mutation at the moment. Neuromorphic chips have been designed on the way the human brain works, modelling the massively parallel neurological processeses using artificial neural networks. This will enable computers to process sensory information like vision and audition much more like animals do. Considerable research is currently devoted to create a functional computer simulation of the whole human brain. The Human Brain Project is aiming to achieve this for 2016. Does that mean that computers will finally experience feelings and emotions like us ? Surely if an AI can simulate a whole human brain, then it becomes a sort of virtual human, doesn’t it ? Not quite. Here is why.
There is an important distinction to be made from the onset between an AI residing solely inside a computer with no sensor at all, and an AI that is equipped with a robotic body and sensors. A computer alone would have a range of emotions far more limited as it wouldn’t be able to physically interact with its environment. The more sensory feedback a machine could receive, the wide the range of feelings and emotions it will be able to experience. But, as we will see, there will always be fundamental differences between the type of sensory feedback that a biological body and a machine can receive.
Here is an illustration of how limited an AI is emotionally without a sensory body of its own. In animals, fear, anxiety or phobias are evolutionary defense mechanisms aimed at raising our vigilence in the face of danger. That is because our bodies work with biochemical signals involving hormones and neurostransmitters sent by the brain to prompt a physical action when our senses perceive danger. Computers don’t work that way. Without sensors feeding them information about their environment, computers wouldn’t be able to react emotionally.
Even if a computer could remotely control machines like robots (e.g. through the Internet) that are endowed with sensory perception, the computer itself wouldn’t necessarily care if the robot (a discrete entity) is harmed or destroyed, since it would have no physical consequence on the AI itself. An AI could fear for its own well-being and existence, but how is it supposed to know that it is in danger of being damaged or destroyed ? It would be the same as a person who is blind, deaf and whose somatosensory cortex has been destroyed. Without feeling anything about the outside world, how could it perceive danger ? That problem disappear once the AI is given at least one sense, like a camera to see what is happening around itself. Now if someone comes toward the computer with a big hammer, it will be able to fear for its existence !
In theory, any neural process can be reproduced digitally in a computer, even though the brain is mostly analog. This is hardly a concern, as Ray Kurzweil explained in his book How to Create a Mind. However it does not always make sense to try to replicate everything a human being feel in a machine.
While sensory feelings like heat, cold or pain could easily be felt from the environment if the machine is equipped with the appropriate sensors, this is not the case for other physiological feelings like thirst, hunger, and sleepiness. These feelings alert us of the state of our body and are normally triggered by hormones such as vasopressin, ghrelin, or melatonin. Since machines do not have a digestive system nor hormones, it would be downright nonsensical to try to emulate such feelings.
Emotions do not arise for no reason. They are either a reaction to an external stimulus, or a spontaneous expression of an internal thought process. For example, we can be happy or joyful because we received a present, got a promotion or won the lottery. These are external causes that trigger the emotions inside our brain. The same emotion can be achieved as the result of an internal thought process. If I manage to find a solution to a complicated mathematical problem, that could make me happy too, even if nobody asked me to solve it and it does not have any concrete application in my life. It is a purely intellectual problem with no external cause, but solving it confers satisfaction. The emotion could be said to have arisen spontaneously from an internalized thought process in the neocortex. In other words, solving the problem in the neocortex causes the emotion in another part of the brain.
An intelligent computer could also prompt some emotions based on its own thought processes, just like the joy or satisfaction experienced by solving a mathematical problem. In fact, as long as it is allowed to communicate with the outside world, there is no major obstacle to computers feeling true emotions of its own like joy, sadness, surprise, disappointment, fear, anger, or resentment, among others. These are all emotions that can be produced by interactions through language (e.g. reading, online chatting) with no need for physiological feedback.
Now let’s think about how and why humans experience a sense of well being and peace of mind, two emotions far more complex than joy or anger. Both occur when our physiological needs are met, when we are well fed, rested, feel safe, don’t feel sick, and are on the right track to pass on our genes and keep our offspring secure. These are compound emotions that require other basic emotions as well as physiological factors. A machine without physiological needs cannot get sick and that does not need to worry about passing on its genes to posterity, and therefore will have no reason to feel that complex emotion of ‘well being’ the way humans do. For a machine well being may exist but in a much more simplified form.
Just like machines cannot reasonably feel hunger because they do not eat, replicating emotions on machines with no biological body, no hormones, and no physiological needs can be tricky. This is the case with social emotions like attachment, sexual emotions like love, and emotions originating from evolutionary mechanisms set in the (epi)genome. This is what we will explore in more detail below.
What really distinguishes intelligent machines from humans and animals is that the former do not have a biological body. This is essentially why they could not experience the same range of feelings and emotions as we do, since many of them inform us about the state of our biological body.
An intelligent robot with sensors could easily see, hear, detect smells, feel an object’s texture, shape and consistency, feel pleasure and pain, heat and cold, and the like. But what about the sense of taste ? Or the effects of alcohol on the mind ? Since machines do not eat, drink and digest, they wouldn’t be able to experience these things. A robot designed to socialize with humans would be unable to understand and share the feelings of gastronomical pleasure or inebriety with humans. They could have a theoretical knowledge of it, but not a first-hand knowledge from an actually felt experience.
But the biggest obstacle to simulating physical feelings in a machine comes from the vagus nerve, which controls such varied things as digestion, ‘gut feelings’, heart rate and sweating. When we are scared or disgusted, we feel it in our guts. When we are in love we feel butterflies in our stomach. That’s because of the way our nervous system is designed. Quite a few emotions are felt through the vagus nerve connecting the brain to the heart and digestive system, so that our body can prepare to court a mate, fight an enemy or escape in the face of danger, by shutting down digestion, raising adrenaline and increasing heart rate. Feeling disgusted can help us vomit something that we have swallowed and shouldn’t have.
Strong emotions can affect our microbiome, the trillions of gut bacteria that help us digest food and that secrete 90% of the serotonin and 50% of the dopamine used by our brain. The thousands of species of bacteria living in our intestines can vary quickly based on our diet, but it has been demonstrated that even emotions like stress, anxiety, depression and love can strongly affect the composition of our microbiome. This is very important because of the essential role that gut bacteria play in maintaining our brain functions. The relationship between gut and brain works both ways. The presence or absence of some gut bacteria has been linked to autism, obsessive-compulsive disorder and several other psychological conditions. What we eat actually influence the way the think too, by changing our gut flora, and therefore also the production of neurotransmitters. Even our intuition is linked to the vagus nerve, hence the expression ‘gut feeling’.
Without a digestive system, a vagus nerve and a microbiome, robots would miss a big part of our emotional and psychological experience. Our nutrition and microbiome influence our brain far more than most people suspect. They are one of the reasons why our emotions and behaviour are so variable over time (in addition to maturity; see below).
Another key difference between machines and humans (or animals) is that our emotions and thoughts can be severely affected by our health, physical condition and fatigue. Irritability is often an expression of mental or physical exhaustion caused by a lack of sleep or nutrients, or by a situation that puts excessive stress on mental faculties and increases our need for sleep and nutrients. We could argue that computers may overheat if used too intensively, and may also need to rest. That is not entirely true if the hardware is properly designed with an super-efficient cooling system, and a steady power supply. New types of nanochips may not produce enough heat to have any heating problem at all.
Most importantly machines don’t feel sick. I don’t mean just being weakened by a disease or feeling pain, but actually feeling sick, such as indigestion, nausea (motion sickness, sea sickness), or feeling under the weather before tangible symptoms appear. These aren’t enviable feelings of course, but the point is that machines cannot experience them without a biological body and an immune system.
When tired or sick, not only do we need to rest to recover our mental faculties and stabilize our emotions, we also need to dream. Dreams are used to clear our short-term memory cache (in the hippocampus), to replete neurotransmitters, to consolidate memories (by myelinating synapses during REM sleep), and to let go of the day’s emotions by letting our neurons firing up freely. Dreams also allow a different kind of thinking free of cultural or professional taboos that increase our creativity. This is why we often come up with great ideas or solutions to our problems during our sleep, and notably during the lucid dreaming phase.
Computers cannot dream and wouldn’t need to because they aren’t biological brains with neurostransmitters, stressed out neurons and synapses that need to get myelinated. Without dreams, an AI would nevertheless loose an essential component of feeling like a biological human.
Being in love is an emotion that brings a male and a female individual (save for some exceptions) of the same species together in order to reproduce and raise one’s offspring until they grow up. Sexual love is caused by hormomes, but is not merely the product of hormonal changes in our brain. It involves changes in the biochemistry of our whole body and can even lead to important physiological effects (e.g. on morphology) and long-term behavioural changes. Clearly sexual love is not ‘just an emotion’ and is not purely a neurological process either. Replicating the neurological expression of love in an AI would simulate the whole emotion of love, but only one of its facets.
Apart from the issue of reproducing the physiological expresion of love in a machine, there is also the question of causation. There is a huge difference between an artificially implanted/simulated emotion and one that is capable of arising by itself from environmental causes. People can fall in love for a number of reasons, such as physical attraction and mental attraction (shared interests, values, tastes, etc.), but one of the most important in the animal world is genetic compatibility with the prospective mate. Individuals who possess very different immune systems (HLA genes), for instance, tend to be more strongly attracted to each other and feel more ‘chemistry’. We could imagine that a robot with a sense of beauty and values could appreciate the looks and morals of another robot or a human being and even feel attracted (platonically). Yet a machine couldn’t experience the ‘chemistry’ of sexual love because it lacks hormones, genes and other biochemical markers required for sexual reproduction. In other words, robots could have friends but not lovers, and that make sense.
A substantial part of the range of human emotions and behaviours is anchored in sexuality. Jealousy is another good example. Jealousy is intricatedly linked to love. It is the fear of losing one’s loved one to a sexual rival. It is an innate emotion whose only purpose is to maximize our chances of passing our genes through sexual reproduction by warding off competitors. Why would a machine, which does not need to reproduce sexually, need to feel that ?
One could wonder what difference it makes whether a robot can feel love or not. They don’t need to reproduce sexually, so who cares ? If we need intelligent robots to work with humans in society, for example by helping to take care of the young, the sick and the elderly, they could still function as social individuals without feeling sexual love, wouldn’t they ? In fact you may not want a humanoid robot to become a sexual predator, especially if working with kids ! Not so fast. Without a basic human emotion like love, an AI simply cannot think, plan, prioritize and behave the same way as humans do. Their way of thinking, planning and prioritizing would rely on completely different motivations. For example, young human adults spend considerable time and energy searching for a suitable mate in order to reproduce.
A robot endowed with an AI of equal or greater than human intelligence, lacking the need for sexual reproduction would behave, plan and prioritize its existence very differently than humans. That is not necessarily a bad thing, for a lot of conflicts in human society are caused by sex. But it also means that it could become harder for humans to predict the behaviour and motivation of autonomous robots, which could be a problem once they become more intelligent than us in a few decades. The bottom line is that by lacking just one essential human emotion (let alone many), intelligent robots could have very divergent behaviours, priorities and morals from humans. It could be different in a good way, but we can’t know that for sure at present since they haven’t been built yet.
Humans are social animals. They typically, though not always (e.g. some types of autism), seek to belong to a group, make friends, share feelings and experiences with others, gossip, seek approval or respect from others, and so on. Interestingly, a person’s sociability depends on a variety of factors not found in machines, including gender, age, level of confidence, health, well being, genetic predispositions, and hormonal variations.
We could program an AI to mimick a certain type of human sociability, but it wouldn’t naturally evolve over time with experience and environmental factors (food, heat, diseases, endocrine disruptors, microbiome). Knowledge can be learned but not spontaneous reactions to environmental factors.
Humans tend to be more sociable when the weather is hot and sunny, when they drink alcohol and when they are in good health. A machine has no need to react like that, unless once again we intentionally program it to resemble humans. But even then it couldn’t feel everything we feel as it doesn’t eat, doesn’t have gut bacteria, doesn’t get sick, and doesn’t have sex.
Humans, like all mammals, have an innate need for maternal warmth in childhood. An experiment was conducted with newborn mice taken away from their biological mother. The mice were placed in a cage with two dummy mothers. One of them was warm, fluffy and cosy, but did not have milk. The other one was hard, cold and uncosy but provided milk. The baby mice consistently chose the cosy one, demonstrating that the need for comfort and safety trumps nutrition in infant mammals. Likewise, humans deprived of maternal (or paternal) warmth and care as babies almost always experience psychological problems growing up.
In addition to childhood care, humans also need the feeling of safety and cosiness provided by the shelter of one’s home throughout life. Not all animals are like that. Even as hunter-gatherers or pastoralist nomads, all Homo sapiens need a shelter, be it a tent, a hut or a cave.
How could we expect that kind of reaction and behaviour in a machine that does not need to grow from babyhood to adulthood, cannot know what it is to have parents or siblings, nor need to feel reassured by maternal warmth, and do not have a biological compulsion to seek a shelter ? Without those feelings, it is extremely doubtful that a machine could ever truly understand and empathize completely with humans.
These limitations mean that it may be useless to try to create intelligent, sentient and self-aware robots that truly think, feel and behave like humans. Reproducing our intellect, language, and senses (except taste) are the easy part. Then comes consciousness, which is harder but still feasible. But since our emotions and feelings are so deeply rooted in our biological body and its interaction with its environment, the only way to reproduce them would be to reproduce a biological body for the AI. In other words, we are not talking about a creating a machine anymore, but genetically engineering a new life being, or using neural implants for existing humans.
The way human experience emotions evolves dramatically from birth to adulthood. Children are typically hyperactive and excitable and are prone to making rash decisions on impulse. They cry easily and have difficulties containing and controlling their emotions and feelings. As we mature, we learn more or les successfully to master our emotions. Actually controlling one’s emotions gets easier over time because with age the number of neurons in the brain decreases and emotions get blunter and vital impulses weaker.
The expression of one’s emotions is heavily regulated by culture and taboos. That’s why speakers of Romance languages will generally express their feelings and affection more freely than, say, Japanese or Finnish people. Would intelligent robots also follow one specific human culture, or create a culture on their own ?
Sex hormones also influence the way we feel and express emotions. Male testosterone makes people less prone to emotional display, more rational and cold, but also more aggressive. Female estrogens increase empathy, affection and maternal instincts of protection and care. A good example of the role of biology on emotions is the way women’s hormonal cycles (and the resulting menstruations) affect their emotions. One of the reasons that children process emotions differently than adults is that have lower sex hormomes. As people age, hormonal levels decrease (not just sex hormones), making us more mellow.
Machines don’t mature emotionally, do not go through puberty, do not have hormonal cycles, nor undergo hormonal change based on their age, diet and environment. Artificial intelligence could learn from experience and mature intellectually, but not mature emotionally like a child becoming an adult. This is a vital difference that shouldn’t be underestimated. Program an AI to have the emotional maturity of a 5-year old and it will never grow up. Children (especially boys) cannot really understand the reason for their parents’ anxiety toward them until they grow up and have children of their own, because they lack the maturity and sexual hormones associated with parenthood.
We could always run a software emulating changes in AI maturity over time, but they would not be the result of experiences and interactions with the environment. It may not be useful to create robots that mature like us, but the argument debated here is whether machines could ever feel exactly like us or not. This argument is not purely rhetorical. Some transhumanists wish to be able one day to upload their mind onto a computer and transfer our consciouness (which may not be possible for a number of reasons). Assuming that it becomes possible, what if a child or teenager decides to upload his or her mind and lead a new robotic existence ? One obvious problem is that this person would never fulfill his/her potential for emotional maturity.
The loss of our biological body would also deprive us of our capacity to experience feelings and emotions bound to our physiology. We may be able to keep those already stored in our memory, but we may never dream, enjoy food, or fall in love again.
Even though many human emotions are beyond the range of machines due to their non-biological nature, some emotions could very well be felt by an artificial intelligence. These include, among others:
The following emotions and feelings could not be wholly or faithfully experienced by an AI, even with a sensing robotic body, beyond mere implanted simulation.
In addition, machine emotions would run up against the following issues that would prevent them to feel and experience the world truly like humans.
It is not completely impossible to bypass these obstacles, but that would require to create a humanoid machine that not only possess human-like intellectual faculties, but also an artificial body that can eat and digest and with a digestive system connected to the central microprocessor in the same way as our vagus nerve is connected to our brain. That robot would also need a gender and a capacity to have sex and feel attracted to other humanoid robots or humans based on a predefined programming that serves as an alternative to a biological genome to create a sense of ‘sexual chemistry’ when matched with an individual with a compatible “genome”. It would necessitate artificial hormones to regulate its hunger, thirst, sexual appetite, homeostasis, and so on.
Although we lack the technology and in-depth knowledge of the human body to consider such an ambitious project any time soon, it could eventually become possible one day. One could wonder whether such a magnificent machine could still be called a machine, or simply an artificially made life being. I personally don’t think it should be called a machine at that point.
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This article was originally published on Life 2.0.
- @ClubOfINFO — TransEvolution: The Coming Age of Human Deconstruction (2014) is an alarmist book by Daniel Estulin, a commentator on the secretive Bilderberg Group who is well-liked by many – in particular on conspiracy theorist forums. Essentially, this should be regarded as conspiracy theory material. My refutations of it are too many to cram into this review, so I will mainly focus on what the book itself says.
“Many people have trouble understanding what the true transhumanism movement is about, and why it’s so evil. After all, it’s just about improving our quality of life, right? Or is transhumanism about social control on a gigantic scale?” (p. 172–173)
“Transhumanism fills people’s hopes and minds with dreams of becoming superhuman, but the fact of the matter is that the true goal is the removal of that pesky, human free will itself.” (p. 186)
By Harry J. Bentham — More articles by Harry J. Bentham
Originally published on 20 May 2014 at h+ Magazine
Since the first modern Olympic Games bowed in Athens in 1896, humanity has gradually integrated the developments of science and technology into the realm of competitive sport.
The various attempts to slow the utilization of advanced materials, pharmaceuticals, biotechnology, and robotics is akin to keeping certain gender or ethnic groups out of the games. Not just discrimination, but impeding the flow of progress.
If the ultimate goal of world-level competition is advancement of human physical ability, then athletes, coaches, physicians, and biotech engineers should be able to choose the very best tactics and strategies to achieve that goal.
A Transhuman Olympics would be wildly entertaining, but would also spur the development of biotechnology at a pace that public and private science could never keep up with. While the ethics of such an event might be hotly contested, the benefits to humankind would be lasting and far reaching.
Competitors involved would sign a medical waiver and hold harmless agreement. Education for both athletes and trainers would be mandatory so that participants and competitors understand the risks. Athletes in particular would have to attest that they are willingly participating in the games and that at the time of their consent to do so, they were of sound mind.
Performance enhancing substances — anabolic steroids, human growth hormones — would be permitted. Safer formulations would be encouraged. Experimentation would also be encouraged, insofar as it would drive the development of substances with less extreme, more commercial applications, outside of the games.
Biotechnology augmentation and bioengineered device integration would also be advised. Biotech is still in its relative infancy and the mainstream medical benefit for technology spun-off from this kind of competitive arena would be amazingly valuable.
In short, virtually any edge that provides enhanced performance times, distances, heights, or otherwise advances human competitive ability — be it mechanical, pharmaceutical, biotechnological, or genetic — would be considered fair game.
Boredom and sport would never again occur together in the same sentence. The performance-enhancing scandal that supposedly hurt the image of baseball in the late 1990s, led to new records from players like Mark McGwire, Sammy Sosa, and Roger Clemens, as well as a substantial lift in audience attention at the world level.
Some of the most competitive and gifted athletes in baseball watched as their reputations were dragged through the proverbial mud, as members of US Congress and the Federal judiciary presided over efforts to jail both trainers and athletes alike.
In reality, the use of performance enhancing substances in baseball goes back to 1889, when pitcher Pud Galvin used, and vocally endorsed, Brown-Séquard Elixir, a monkey-sourced testosterone supplement.
“Doping,” as it is commonly referred to, remains an American taboo subject.
The Transhuman Olympics would provide a venue for science to be more competitive and for athletes and trainers to take measures that they deem befitting to secure the best performance results.
Rather than laboratory-based timelines — often handled in academic settings, with limited access to financial resources — scientific improvements would need to find practical applications in the real world. Research efforts would have to provide meaningful, actionable improvements to athletic performance, within real world timeframes.
Imagine for a moment the incredible entertainment value. Perhaps countries with the most money just emerge victorious. Perhaps smaller scientific efforts with less access to resources would be forced to find novel innovations to gain a competitive advantage.
Watching athletes push the limits of humanity to achieve new records and break through established competitive plateaus is a fundamental facet of human evolution. The Transhuman Olympics would simply better facilitate that process.
Over time, the opportunity to invent new sports based on emerging capabilities and new technological developments would emerge. When the 1896 Olympics revived the ancient Olympic tradition, only one sport was excluded from the games (for you history buffs, the sport was pankration, a mild mixed martial art). However, with new technology and advanced human capability comes new competitive territory. Imagine a real-life Icarus competing with other airborne humans. Underwater games or sports in low-Earth orbit — the competitive horizon is endless.
Robotic elements, like chaser drones, helping athletes to see around corners or from other perspectives would be spectacular. Imagine force multipliers to provide boosts of strength or improve the strength and resilience of joints, muscles, tendons, and/or ligaments.
Once tested and proven in the venue of competitive sport, these technologies would have the widespread potential for mainstream medical adoption. Think of elderly patients who have trouble walking or individuals dealing with neurodegenerative disorders, now empowered thanks to the sacrifices and risks taken on by these gladiators of evolved sport.
Until modern society overcomes its resistance to unencumbered, more loosely regulated sporting events, the Transhuman Olympics would need to be held in a country with fewer controlled substance laws.
This country would likely receive a substantial windfall of medical tourism, so long as the technology being utilized was also developed there. Cuba springs first to mind but other present-day medical tourism destinations include Argentina, Brunei, Jordan, South Africa, Singapore, New Zealand and many others.
In modern Olympic competition, corporate sponsorship was first forbidden.
It wasn’t until 1972, when the medium of television opened up new channels for advertising, that corporate sponsorship began to emerge. In the Transhuman Olympics, corporate and/or government sponsorship would be essential and robustly encouraged.
With each passing Olympic games, the amount spent increases dramatically. Russia spent $51 billion on the 2014 games in Sochi, in the hopes of capturing and drawing the international spotlight.
In the Transhuman Olympics, the core benefits would include not only spectators and advertising sponsors, but tangible medical advancements and beneficial intellectual property.
We’re already living in the age of the technologically enhanced athlete.
LZR Racer swimsuits, made of woven elastane-nylon and buoyant polyurethane provided swimmers the ability to shave relatively substantial amounts of time from races. Those suits were banned in 2010, following the 2008 Beijing games.
The 1936 Olympics in Berlin showed Hitler that preconceived notions of superiority were no match for the power of diversity.
In 2012, for the first time since the inception of the International Olympic Committee, all countries participating in the Olympics sent delegations that included both male and female competitors. That same year, 204 countries sent competitors to the games.
Now that the human race has achieved an even playing field for global competition, the next step is technologically empowered, superhuman competitors.
Kindly join me in supporting the call for a Transhuman Olympics.
Posted in 3D printing, augmented reality, bionic, computing, cyborgs, disruptive technology, existential risks, fun, futurism, homo sapiens, human trajectories, innovation, nanotechnology, philosophy, posthumanism, privacy, robotics/AI, science, singularity, transhumanism | 2 Comments on What to make of the film ‘Transcendence’? Show it in classrooms.
I recently saw the film Transcendence with a close friend. If you can get beyond Johnny Depp’s siliconised mugging of Marlon Brando and Rebecca Hall’s waddling through corridors of quantum computers, Transcendence provides much to think about. Even though Christopher Nolan of Inception fame was involved in the film’s production, the pyrotechnics are relatively subdued – at least by today’s standards. While this fact alone seems to have disappointed some viewers, it nevertheless enables you to focus on the dialogue and plot. The film is never boring, even though nothing about it is particularly brilliant. However, the film stays with you, and that’s a good sign. Mark Kermode at the Guardian was one of the few reviewers who did the film justice.
The main character, played by Depp, is ‘Will Caster’ (aka Ray Kurzweil, but perhaps also an allusion to Hans Castorp in Thomas Mann’s The Magic Mountain). Caster is an artificial intelligence researcher based at Berkeley who, with his wife Evelyn Caster (played by Hall), are trying to devise an algorithm capable of integrating all of earth’s knowledge to solve all of its its problems. (Caster calls this ‘transcendence’ but admits in the film that he means ‘singularity’.) They are part of a network of researchers doing similar things. Although British actors like Hall and the key colleague Paul Bettany (sporting a strange Euro-English accent) are main players in this film, the film itself appears to transpire entirely within the borders of the United States. This is a bit curious, since a running assumption of the film is that if you suspect a malevolent consciousness uploaded to the internet, then you should shut the whole thing down. But in this film at least, ‘the whole thing’ is limited to American cyberspace.
Before turning to two more general issues concerning the film, which I believe may have led both critics and viewers to leave unsatisfied, let me draw attention to a couple of nice touches. First, the leader of the ‘Revolutionary Independence from Technology’ (RIFT), whose actions propel the film’s plot, explains that she used to be an advanced AI researcher who defected upon witnessing the endless screams of a Rhesus monkey while its entire brain was being digitally uploaded. Once I suspended my disbelief in the occurrence of such an event, I appreciate it as a clever plot device for showing how one might quickly convert from being radically pro- to anti-AI, perhaps presaging future real-world targets for animal rights activists. Second, I liked the way in which quantum computing was highlighted and represented in the film. Again, what we see is entirely speculative, yet it highlights the promise that one day it may be possible to read nature as pure information that can be assembled according to need to produce what one wants, thereby rendering our nanotechnology capacities virtually limitless. 3D printing may be seen as a toy version of this dream.
Now on to the two more general issues, which viewers might find as faults, but I think are better treated as what the Greeks called aporias (i.e. open questions):
(1) I think this film is best understood as taking place in an alternative future projected from when, say, Ray Kurzweil first proposed ‘the age of spiritual machines’ (i.e. 1999). This is not the future as projected in, say, Spielberg’s Minority Report, in which the world has become so ‘Jobs-ified’, that everything is touch screen-based. In fact, the one moment where a screen is very openly touched proves inconclusive (i.e. when, just after the upload, Evelyn impulsively responds to Will being on the other side of the interface). This is still a world very much governed by keyboards (hence the symbolic opening shot where a keyboard is used as a doorstop in the cyber-meltdown world). Even the World Wide Web doesn’t seem to have the prominence one might expect in a film where computer screens are featured so heavily. Why is this the case? Perhaps because the script had been kicking around for a while (which is true). This may also explain why in Evelyn’s pep talk to funders includes a line about Einstein saying something ‘nearly fifty years ago’. (Einstein died in 1955.) Or, for that matter, why the FBI agent (played by Irish actor Cillian Murphy) looks like something out of a 1970s TV detective series, the on-site military commander looks like George C. Scott and the great quantum computing mecca is located in a town that looks frozen in the 1950s. Perhaps we are seeing here the dawn of ‘steampunk’ for the late 20th century.
(2) The film contains heavy Christian motifs, mainly surrounding Paul Bettany’s character, Max Waters, who turns out to be the only survivor of the core research team involved in uploading consciousness. He wears a cross around his neck, which pops up at several points in the film. Moreover, once Max is abducted by RIFT, he learns that his writings querying whether digital uploading enhances or obliterates humanity have been unwittingly inspirational. Max and Will can be contrasted in terms of where they stand in relation to the classic Faustian bargain: Max refuses what Will accepts (quite explicitly, in response to the person who turns out to be his assassin). At stake is whether our biblically privileged status as creatures entitles us to take the next step to outright deification, which in this case means merging with the source of all knowledge on the internet. To underscore the biblical dimension of dilemma, toward the end of the film, Max confronts Evelyn (Eve?) with the realization that she was the one who nudged Will toward this crisis. Yet, the film’s overall verdict on his Faustian fall is decidedly mixed. Once uploaded, Will does no permanent damage, despite the viewer’s expectations. On the contrary, like Jesus, he manages to cure the ill, and even when battling with the amassed powers of the US government and RIFT, he ends up not killing anyone. However, the viewer is led to think that Will 2.0 may have overstepped the line when he revealed his ability to monitor Evelyn’s thoughts. So the real transgression appears to lie in the violation of privacy. (The Snowdenistas would be pleased!) But the film leaves the future quite open, as what the viewer sees in the opening and final scenes looks more like the result of an extended blackout (and hints are given that some places have already begun the restore their ICT infrastructure) than anything resembling irreversible damage to life as we know it. One can read this as either a warning shot to greater damage ahead if we go down the ‘transcendence’ route, or that such a route might be worth pursuing if we get manage to sort out the ‘people issues’. Given that Max ends the film by eulogising Will and Evelyn’s attempts to benefit humanity, I read the film as cautiously optimistic about the prospects for ‘transcendence’, where the film’s plot is taken as offering a simulated trial run.
My own final judgement is that this film would be very good for classroom use to raise the entire range of issues surrounding what I have called ‘Humanity 2.0’.
Growing up in the South gave me a certain perspective of the United States that I wish many wouldn’t have to deal with, from bigotry to ignorance, poverty to inequality. So listening to Hip Hop became my way of escaping these realities. As time progressed, however, and as society evolved, so too did Hip Hop. Now as we reach the Information Age and a nearing Transhumanist paradigm shift, I again look to Hip Hop and see what it’s saying and whether or not it’s keeping up with the times.
I was able to speak with two individual Emcees, in particular, who are making sure Hip Hop is alive and well in today’s age: M.C. Kilch and Maitreya One!
Both preside in New York, with Kilch from Brooklyn and Maitreya from the Bronx. They are Hip Hop Emcees and Transhumanists, dedicating their lives not only to achieve indefinite life extension for themselves, but for the culture and musical art they love.
M.C. Kilch: They call me Kilch, I’m a Dreamer and Emcee from Brooklyn, NY. Hip Hop is practically in your blood when you’re from Brooklyn, so getting attracted to it was easy. The attitude and energy of the culture makes it influential, whether you listen to it or not. It was the Freestyle cyphers that got me involved.
Watching this group of people, who gather in a circle and take turns making up lyrics on the spot, was a representation of pure, unfiltered creativity, and it amazed me! I tried it myself one day, loved it, and ended up in cypher groups all the time. Not too long after that it became a regular part of my life, and I started writing songs. It was a natural progression since I was already writing poetry at the time, and I haven’t stopped.
Maitreya One: My name is Maitreya One or lord Maitreya for short. Many things inspired me. One of my inspirations comes from a man named J. Edgar Hoover who was the founder and director of the FBI in the 60’s. He started a program called COINTELPRO, short for counter intelligence program. It was designed to neutralize the black messiah – the one who would unify the masses.
Emceeing is just a element in the culture. Hip Hop has 9 elements as present. Hip Hop is beyond entertainment and is a form of higher intelligence (HI). I’m one of the avatars in the culture of Hip Hop, which just means that my purpose is not based on any industrial status symbol.
Kilch: Hip Hop artists are much like the storytellers and keepers of oral tradition who have existed in human societies for thousands of years, such as the Griots of West Africa or the Minstrels of medieval Europe. However, the current stage features a technological backdrop.
As far as what role Hip Hop should play for our future, I’m less concerned with that, and more interested in blurring the lines between music genres/cultures, even exploring the creation of new ones. That being said, I don’t see the function of the Emcee going away anytime soon, and would like to see more people make music how they truly want to make it, instead of trying to meet the expectations of the masses or major corporations.
Maitreya: Hip Hop is the transformation of all subjects and objects with an attempt to define our consciousness. The goal for the culture of Hip Hop is to become the 51st state of the union and defeat congressional rule. Hip Hop’s role and purpose is to unite humanity and help relieve human suffering. We will do that by all means necessary. Hip Hop has the spirit of ‘76.
Kilch: I would like to see more Emcees making music that utilizes Transhumanist thinking or speaks about concepts such as the Technological Singularity, but I don’t think that Hip Hop has a duty to promote such. I only say that because I think people should use the cultural tools at their disposal the best way they see fit; some people might want to make music about love and getting drunk, and others promote political or philosophical ideas.
As an individual, I feel a certain sense of duty to advocate Transhumanism because applying its principles to my life leads to a very realistic view on existence, one of knowing that anything is possible, which is an alternative to a culture that falsely sells us our own limitations, fears, and even revolutions. I want to see as many people as possible understand why Transhumanism is important, but I don’t think the use of any type of force is the most productive way of getting that to happen, including prescribed musical subject matter.
Maitreya: Hip Hop’s duty is to show the proper use of technology, which is to be used in a humane way, not just to uphold a social order that oppresses and divides us. Hip Hop sees technology’s ability to free us from the mundane work-a-day schedule that limits our freedom and holds our bodies captive to a corrupt monetary system that enslaves us. Hip Hop’s version of the technological singularity is all inclusive and puts humanity first. Hip Hop has transcended our humanity. We are raceless and classless, a unique group of people with the ability to tap into our collective creative intelligence at will.
Kilch: I do understand that people have become more secular minded and it’s great to see the idea of the separation of church and state spread globally. I think secularism gives us a wonderful opportunity to learn from each other, no matter our differences. Although I have personally vied for the separation of church and state and have shown a general disdain for religion in some of my music, I can’t say I necessarily agree with Hip Hop trying to curb the influence of religion on the music. I can say that I would like to see more people who have a problem with religion begin to see it as a tool, instead of trying to somehow remove it from music, or human society for that matter.
In many ways I see religion as a byproduct of the human need to express ideas metaphorically/artistically. Some people draw inspiration from using that perspective in their lives to varying degrees. Many do this by reading comic books or watching movies and television shows about orcs, elves, and superheroes. There isn’t much difference between the two behaviors from my perspective. It’s the people who have used a religious context to impose their personal standards of behavior on everyone that are truly a threat to progressive thinking. In the future, when we are more than human, I could see people abandoning the idea of religion altogether.
Maitreya: Hip Hop doesn’t need fans, we need Hip Hoppas. The divide between science and religion is artificial due to the present social order that is in place in the world. When Hip Hop achieves superlongevity and statehood, these artificial boundaries will seize to exist and a new dawn will be upon us. The old age of divide and conquer is deeply rooted in this deathist culture.
Kilch: I would have to say yes and no. It’s very interesting how the rise of social media has given us the chance to hear many Hip Hop figures speak about their views on life via platforms such as YouTube, Twitter, etc. I recently saw a couple of videos featuring what I can only call the Nazi-Punks of Hip Hop who have obvious issues with LGBTQ+ equality, as well as make blatantly racist remarks during their interviews. We’re in 2014. This showed me just how immature Hip Hop can be, but then again, Hip Hop is a tool, and you won’t find uniformity in how it’s used no matter how hard you try, not for any music culture for that matter.
On the contrary, you don’t have to look far, especially given the rise of the internet, to find Hip Hop artists that are expressing their opposition to war or addressing issues like immigrant rights or LGBTQ+ equality. Having spent some time in the New York City Hip Hop circuit doing live shows and putting out independent music, perhaps I have seen more of this than many people, but there are artists on the up and coming that are going to be a major voice for social issues in the years to come.
Although I may not always agree with everything people are trying to get established, as long as it isn’t bigoted, I can only be thrilled to hear of people using Hip Hop to have serious conversations pertaining to the state and future of the world.
Maitreya: Hip Hop is a human culture that gives all people of the planet Earth a leg to stand on. The question isn’t, who are you a voice for; the real question is, do you have the courage to be the real you!?
Kilch: Yes, I’m working on a Mixtape called Cyberpunk Futures & Lucid Dreams, which will be out by early summer. It will deal with such subjects as Transhumanism, cryonics, sex robots and technological religion. The first single by the same name is available for free download right now, with the Mixtape to follow very soon! You can find the single and mixtape at http://mckilch.bandcamp.com/
Maitreya: I’m presently working on two albums, The Messiah of Morris Ave. and Maitreya One: The HipHop State. Both albums are the first of its kind. The first album will be to help build a Temple of Hip Hop in my hood in the Bronx. The second album is about freeing a colony and building a Hip Hop city. I also rap about mastering the elements of my culture and reversing aging. I want to give a shout out to the forefathers of Hip Hop: Kool Herc, Flash, Bam and KRS One. I also want to shout out Saul Kent, William Faloon, Stephen Valentine, Ray Kurzweil and Robert Ettinger. One, I’m out!
For previous interviews by B.J. Murphy, check out “Ruling the Rhetoric on North Korea: A Pedagogical Perspective,” which interviews experts of northern Korea and provides an open-minded look into the ins and outs of the gravely misunderstood country.
Jason Dorrier — Singularity Hub
We’ve chronicled the continuous evolution of such technologies over the years, but they’re still largely out of reach for most folks.
How has your work, your life, your humanity, been improved by the promise of Big Data?
What apps and online media do you use to upload personal and other info?
Singularity has flopped – that is to say, this week Johnny Depp’s new film Transcendence did not bring in as much as Pirates of the Caribbean. Though there may not have been big box office heat, there is heat behind the film’s subject: Big Data! Sure we miss seeing our affable pirate chasing treasure, but hats off to Mr. Depp who removed his Keith Richards make-up to risk chasing what might be the mightiest challenge of our century.
Singularity, coined by mathematician John von Neumann, is a heady mathematical concept tested by biotech predictions. Made popular by math and music wunderkindt turned gray hair guru of an AI movement Ray Kurzweil, Singularity is said to signify the increasing rate at which artificial intelligence will supersede human intelligence like a jealous sibling. Followers of the Singularity movement (yes, with guru comes followers) envision the time of override in the not to distant future with projections set early as 2017 and 2030. At these times, the dynamics of technology are said to set about a change in our biology, our civilization and “perhaps” nature itself. Within our current reach, we see signs of empowered tech acting out in the current human brain mapping quest and brain-computer interface systems. More to the point, there is an ever increasing onslaught of Google Alerts annoucing biotech enhancements with wearable tech. Yes indeed, here comes the age of smart prosthetics and our own AI upload of medical and personal data to the internet. Suddenly all those Selfies seem more than mere narcissistic postings against the imposing backdrop of Big Data.
Johnny Depp’s face says it all in Transcendence where Big Data determines our AI future wherein life as we know it, can and will exist online. Think beyond a 24/7 teenage plug into a smart phone or flash- driving Facebook entries. Think Neuromancer, VALIS, and Star Trek’s Borg — sci fi predecessors predicting memory transformations amounting to an existential reboot. Translated into the everyday, we’re talking more than just uploading your genetic code to 23andme. This is an imagined future where what we call “Me” will be psychologically and legally recognized as living online.
As a contemporary sci fi, Transcendence is filled with pentimento film tributes to Zombie and X-Men TakeOvers, Westerns and Romantic Tragedies. Pitting AI critics against AI visionaries, the film is a bioethics drama, where the prospect of creating online Selves will constitute a direct social threat with thoroughgoing eco consequences. At the center of the bioethics contest, we encounter the marriage and business partnership of Will and Eleanor Castor — the heroic scientist and the eco-activist whose death do us part vows are broken to unleash a future so thoroughly transformed by AI as to render biological existence “hacked” by internet code.
The romantic hubris of Transcendence is jolting with a Shakespearean twist: Dare to Upload yourself to the internet and threaten genealogy, global power. Wait, this is no Romeo and Juliet. Love and Death, Eros and Thanatos, as Herr Freud called it, stands at the center of this science fiction pivoting on Will Castor’s heroic martyrdom (played astutely by Johnny Depp). By the end of the film, we are forced to face the movie’s existential questions as moral and medical ones. With new sentient life living online, collective imagination for our biohumanity and ecosystem is left unhinged.
While the film lifts common AI themes of transformed “self-awareness” and “identity,” the real AI deal breaker in Transcendence, and in our own lives, is Time – biological, ecological and geologic. Described as a sequential and cyclical process, Time frames our present experience, shaping both memory and imagination of that present experience. As my Buddhist philosophy professor use to say: “When you are waiting for your lover, 10 minutes feels like 1 hour; but when your lover arrives, 1 hour feels like 10 minutes.” Cognitive neuroscientists tell us that episodic memory is at once measurable and elusive of metrics — researchers can study the sequence of what we remember (like learning our ABC’s) but they struggle to discover how it feels to remember the alphabet.
Time after Will Castor’s AI is not waiting for cognitive neuroscience to catch up with a hacker’s race to design new codes, new systems, and new products for regenerating uberhuman biosystems. After all, AI Time presumes the speed of downloads to the Internet and programming APPs as if to emulate the speed of light.
Before Einstein, Neuroscience, the Internet and Apps, Time was once thought of in mythic, primal terms of genesis. In Indian cosmology, Siva, the God of Time, dances on the back of mother earth, moving us through karmic cycles of birth, life, death and rebirth. In the ancient Greco-Roman cosmos, Time is born from Chronos the three headed serpent that gives us earth, sky and the underworld. Through the ages, Time / Chronos became associated with the cycle of seasons, assigning to the process of change in light and life, the name Father Time in contrast to quiet, deep Mother Earth, which seems to absorb the underworld into her womb.
Conceived as such, Father Time has given way to our current understanding of RAM and neural memory codes leaving Mother Earth to stand in for blood, bones and stem cells. Today as we couple with technology and look to Big Data for knowledge and insight, we lose sight of when, and how, we capitulate to a fundamental misperception: That we are one and the same with the technology we create. Blinded by the light and speed of computer gazing, we mistake ourselves for our creations. We forget difference and our humanity — even if coupled with technology. For the sake of a popular drama, Transcendence pushes on the consequences of this misperception by entertaining a bioethics war over regenerating biological tissue. Like I said, this is a flick with a nod to X-Men.
With computational neuroscience sitting at the center of this passion play, it is neurobiologist and bioethicist Max, the Castor’s closest friend and film’s narrator who reminds us that we are Time emergent and memories alone are not us. Memory may be coded for upload but it cannot fully account for the what and who we are as neuroplastic creatures with uncertain futures. Yes, we are more than just code. As the father of American psychology William James once wrote, we draw from a world of “blooming buzzing confusion,” perceptions enriched with a variety of associated thoughts, sensations and reactions. That piece of wisdom may be more than a century old, but even if our behaviors might fit a statistical profile for behavioral economics, we are reminded: statistical profiles are not Us.
Coda:
Looking back to the late 1990’s, the call for the human-machine interface was met by both excitement and trepidation by frontier technologists and skeptical intellectuals. In my own backyard, I curated a 2003 symposium at Art Center College of Design with NASA scientists and a world famous cyborg, STELARC to discuss: What kind of science and technologies would push the design futures forward and would our imagined futures require the inevitable coupling of human and technology? Now more than 10 years later with advances in the Cloud, wearable tech and neuro-marketing, students have no greater skills for managing their union with the Borg. To paraphrase the thinking of my business partner, Gaynor Strachan Chun, ‘the problem is not with technology, but the way people behave with technology.’
Future Forward? Let’s skill up with the brain in mind to face the behavioral challenges with Big Data.
M. A. Greenstein, Ph.D., Lifeboat Advisor — Neuroscience / Diplomacy / Futures; Founder / Chairman, The George Greenstein Institute (GGI); Founder / Chief Innovation Officer, SM+ART
Jason Dorrier — Singularity Hub