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I am taking the advice of a reader of this blog and devoting part 2 to examples of old school and modern movies and the visionary science they portray.

Things to Come 1936 — Event Horizon 1997
Things to Come was a disappointment to Wells and Event Horizon was no less a disappointment to audiences. I found them both very interesting as a showcase for some technology and social challenges.… to come- but a little off the mark in regards to the exact technology and explicit social issues. In the final scene of Things to Come, Raymond Massey asks if mankind will choose the stars. What will we choose? I find this moment very powerful- perhaps the example; the most eloguent expression of the whole genre of science fiction. Event Horizon was a complete counterpoint; a horror movie set in space with a starship modeled after a gothic cathedral. Event Horizon had a rescue crew put in stasis for a high G several month journey to Neptune on a fusion powered spaceship. High accelleration and fusion brings H-bombs to mind, and though not portrayed, this propulsion system is in fact a most probable future. Fusion “engines” are old hat in sci-fi despite the near certainty the only places fusion will ever work as advertised are in a bomb or a star. The Event Horizon, haunted and consigned to hell, used a “gravity drive” to achieve star travel by “folding space.” Interestingly, a recent concept for a black hole powered starship is probably the most accurate forecast of the technology that will be used for interstellar travel in the next century. While ripping a hole in the fabric of space time may be strictly science fantasy, for the next thousand years at least, small singularity propulsion using Hawking radiation to achieve a high fraction of the speed of light is mathematically sound and the most obvious future.

https://lifeboat.com/blog/2012/09/only-one-star-drive-can-work-so-far

That is, if humanity avoids an outbreak of engineered pathogens or any one of several other threats to our existence in that time frame.

Hand in hand with any practical method of journeys to other star systems in the concept of the “sleeper ship.” Not only as inevitable as the submarine or powered flight was in the past, the idea of putting human beings in cold storage would bring tremendous changes to society. Suspended animation using a cryopreservation procedure is by far the most radical and important global event possible, and perhpas probable, in the near future. The ramifications of a revivable whole body cryopreservation procedure are truly incredible. Cryopreservation would be the most important event in the history of mankind. Future generations would certainly mark it as the beginning of “modern” civilization. Though not taken seriously anymore than the possiblility of personal computers were, the advances in medical technology make any movies depicting suspended animation quite prophetic.

The Thing 1951/Them 1954 — Deep Impact 1998/Armegeddon 1998
These four movies were essentially about the same.…thing. Whether a space vampire not from earth in the arctic, mutated super organisms underneath the earth, or a big whatever in outer space on a collision course with earth, the subject was a monstrous threat to our world, the end of humankind on earth being the common theme. The lifeboat blog is about such threats and the The Thing and Them would also appeal to any fan of Barbara Ehrenreich’s book, Blood Rites. It is interesting that while we appreciate in a personal way what it means to face monsters or the supernatural, we just do not “get” the much greater threats only recently revealed by impact craters like Chixculub. In this way these movies dealing with instinctive and non-instinctive realized threats have an important relationship to each other. And this connection extends to the more modern sci-fi creature features of past decades. Just how much the The Thing and Them contributed to the greatest military sci-fi movie of the 20th century (Aliens, of course) will probably never be known. Director James Cameron once paid several million dollars out of court to sci-fi writer Harlan Ellison after admitting during an interview to using Ellison’s work- so he will not be making that mistake again. The second and third place honors, Starship Troopers and Predator, were both efforts of Dutch Film maker Paul Verhoeven.

While The Thing and Them still play well, and Deep Impact, directed by James Cameron’s ex-wife, is a good flick and has uncanny predictive elements such as a black president and a tidal wave, Armegeddon is worthless. I mention this trash cinema only because it is necessary for comparison and to applaud the 3 minutes when the cryogenic fuel transfer procedure is seen to be the farce that it is in actuality. Only one of the worst movie directors ever, or the space tourism industry, would parade such a bad idea before the public.
Ice Station Zebra 1968 — The Road 2009
Ice Station Zebra was supposedly based on a true incident. This cold war thriller featured Rock Hudson as the penultimate submarine commander and was a favorite of Howard Hughes. By this time a recluse, Hughes purchased a Las Vegas TV station so he could watch the movie over and over. For those who have not seen it, I will not spoil the sabotage sequence, which has never been equaled. I pair Ice Station Zebra and The Road because they make a fine quartet, or rather sixtet, with The Thing/Them and Deep Impact/Armegeddon.

The setting for many of the scenes in these movies are a wasteland of ice, desert, cometoid, or dead forest. While Armegeddon is one of the worst movies ever made on a big budget, The Road must be one of the best on a small budget- if accuracy is a measure of best. The Road was a problem for the studio that produced it and release was delayed due to the reaction of the test audiences. All viewers left the theatre profoundly depressed. It is a shockingly realistic movie and disturbed to the point where I started writing about impact deflection. The connection between Armegeddon and The Road, two movies so different, is the threat and aftermath of an asteroid or comet impact. While The Road never specifies an impact as the disaster that ravaged the planet, it fits the story perfectly. Armegeddon has a few accurate statements about impacts mixed in with ludicrous plot devices that make the story a bad experience for anyone concerned with planetary protection. It seems almost blasphemous and positively criminal to make such a juvenile for profit enterprise out of an inevitable event that is as serious as serious gets. Do not watch it. Ice Station Zebra, on the other hand, is a must see and is in essence a showcase of the only tools available to prevent The Road from becoming reality. Nuclear weapons and space craft- the very technologies that so many feared would destroy mankind, are the only hope to save the human race in the event of an impending impact.

Part 3:
Gog 1954 — Stealth 2005
Fantastic Voyage 1966 — The Abyss 1989
And notable moments in miscellaneous movies.

Steamships, locomotives, electricity; these marvels of the industrial age sparked the imagination of futurists such as Jules Verne. Perhaps no other writer or work inspired so many to reach the stars as did this Frenchman’s famous tale of space travel. Later developments in microbiology, chemistry, and astronomy would inspire H.G. Wells and the notable science fiction authors of the early 20th century.

The submarine, aircraft, the spaceship, time travel, nuclear weapons, and even stealth technology were all predicted in some form by science fiction writers many decades before they were realized. The writers were not simply making up such wonders from fanciful thought or childrens ryhmes. As science advanced in the mid 19th and early 20th century, the probable future developments this new knowledge would bring about were in some cases quite obvious. Though powered flight seems a recent miracle, it was long expected as hydrogen balloons and parachutes had been around for over a century and steam propulsion went through a long gestation before ships and trains were driven by the new engines. Solid rockets were ancient and even multiple stages to increase altitude had been in use by fireworks makers for a very long time before the space age.

Some predictions were seen to come about in ways far removed yet still connected to their fictional counterparts. The U.S. Navy flagged steam driven Nautilus swam the ocean blue under nuclear power not long before rockets took men to the moon. While Verne predicted an electric submarine, his notional Florida space gun never did take three men into space. However there was a Canadian weapons designer named Gerald Bull who met his end while trying to build such a gun for Saddam Hussien. The insane Invisible Man of Wells took the form of invisible aircraft playing a less than human role in the insane game of mutually assured destruction. And a true time machine was found easily enough in the mathematics of Einstein. Simply going fast enough through space will take a human being millions of years into the future. However, traveling back in time is still as much an impossibillity as the anti-gravity Cavorite from the First Men in the Moon. Wells missed on occasion but was not far off with his story of alien invaders defeated by germs- except we are the aliens invading the natural world’s ecosystem with our genetically modified creations and could very well soon meet our end as a result.

While Verne’s Captain Nemo made war on the death merchants of his world with a submarine ram, our own more modern anti-war device was found in the hydrogen bomb. So destructive an agent that no new world war has been possible since nuclear weapons were stockpiled in the second half of the last century. Neither Verne or Wells imagined the destructive power of a single missile submarine able to incinerate all the major cities of earth. The dozens of such superdreadnoughts even now cruising in the icy darkness of the deep ocean proves that truth is more often stranger than fiction. It may seem the golden age of predictive fiction has passed as exceptions to the laws of physics prove impossible despite advertisments to the contrary. Science fiction has given way to science fantasy and the suspension of disbelief possible in the last century has turned to disappointment and the distractions of whimsical technological fairy tales. “Beam me up” was simply a way to cut production costs for special effects and warp drive the only trick that would make a one hour episode work. Unobtainium and wishalloy, handwavium and technobabble- it has watered down what our future could be into childish wish fulfillment and escapism.

The triumvirate of the original visionary authors of the last two centuries is completed with E.E. Doc Smith. With this less famous author the line between predictive fiction and science fantasy was first truly crossed and the new genre of “Space Opera” most fully realized. The film industry has taken Space Opera and run with it in the Star Wars franchise and the works of Canadian film maker James Cameron. Though of course quite entertaining, these movies showcase all that is magical and fantastical- and wrong- concerning science fiction as a predictor of the future. The collective imagination of the public has now been conditioned to violate the reality of what is possible through the violent maiming of basic scientific tenets. This artistic license was something Verne at least tried not to resort to, Wells trespassed upon more frequently, and Smith indulged in without reservation. Just as Madonna found the secret to millions by shocking a jaded audience into pouring money into her bloomers, the formula for ripping off the future has been discovered in the lowest kind of sensationalism. One need only attend a viewing of the latest Transformer movie or download Battlestar Galactica to appreciate that the entertainment industry has cashed in on the ignorance of a poorly educated society by selling intellect decaying brain candy. It is cowboys vs. aliens and has nothing of value to contribute to our culture…well, on second thought, I did get watery eyed when the young man died in Harrison Ford’s arms. I am in no way criticizing the profession of acting and value the talent of these artists- it is rather the greed that corrupts the ancient art of storytelling I am unhappy with. Directors are not directors unless they make money and I feel sorry that these incredibly creative people find themselves less than free to pursue their craft.

The archetype of the modern science fiction movie was 2001 and like many legendary screen epics, a Space Odyssey was not as original as the marketing made it out to be. In an act of cinema cold war many elements were lifted from a Soviet movie. Even though the fantasy element was restricted to a single device in the form of an alien monolith, every artifice of this film has so far proven non-predictive. Interestingly, the propulsion system of the spaceship in 2001 was originally going to use atomic bombs, which are still, a half century later, the only practical means of interplanetary travel. Stanly Kubrick, fresh from Dr. Strangelove, was tired of nukes and passed on portraying this obvious future.

As with the submarine, airplane, and nuclear energy, the technology to come may be predicted with some accuracy if the laws of physics are not insulted but rather just rudely addressed. Though in some cases, the line is crossed and what is rude turns disgusting. A recent proposal for a “NautilusX” spacecraft is one example of a completely vulgar denial of reality. Chemically propelled, with little radiation shielding, and exhibiting a ridiculous doughnut centrifuge, such advertising vehicles are far more dishonest than cinematic fabrications in that they decieve the public without the excuse of entertaining them. In the same vein, space tourism is presented as space exploration when in fact the obscene spending habits of the ultra-wealthy have nothing to do with exploration and everything to do with the attendent taxpayer subsidized business plan. There is nothing to explore in Low Earth Orbit except the joys of zero G bordellos. Rudely undressing by way of the profit motive is followed by a rude address to physics when the key private space scheme for “exploration” is exposed. This supposed key is a false promise of things to come.

While very large and very expensive Heavy Lift Rockets have been proven to be successful in escaping earth’s gravitational field with human passengers, the inferior lift vehicles being marketed as “cheap access to space” are in truth cheap and nasty taxis to space stations going in endless circles. The flim flam investors are basing their hopes of big profit on cryogenic fuel depots and transfer in space. Like the filling station every red blooded American stops at to fill his personal spaceship with fossil fuel, depots are the solution to all the holes in the private space plan for “commercial space.” Unfortunately, storing and transferring hydrogen as a liquified gas a few degrees above absolute zero in a zero G environment has nothing in common with filling a car with gasoline. It will never work as advertised. It is a trick. A way to get those bordellos in orbit courtesy of taxpayer dollars. What a deal.

So what is the obvious future that our present level of knowledge presents to us when entertaining the possible and the impossible? More to come.

Femtotechnology: AB-Needles. Fantastic properties and Applications

after posting this on facebook.com and seeing its shared on Scribd.com I was a bit shocked by the community of reads in their disregard for these thoughts on Femtotechnology. One reader was quoted to say

I don’t understand why people bother talking about femtotech when we barely even have nanotech…

And while the reader’s voice should be heard, I like to think that if we can imagine it, its worth being a part of the tool box. These ideas are some +50 years in the making and just as nanotech or any other tech this literature predating our abilities is necessary in crafting human kinds exploration. So this entry is a bit activist, and so what smile #fullspeedahead.

I thought I would offer a series of quotes to counter the codswallop frequently expressed here — suggesting that mainstream physicists have genuine concerns about the safety of the LHC.

“To think that LHC particle collisions at high energies can lead to dangerous black holes is rubbish. Such rumors were spread by unqualified people seeking sensation or publicity.

Academician Vitaly Ginzburg, Nobel Laureate in Physics, Lebedev Institute, Moscow, and Russian Academy of Sciences

(from http://public.web.cern.ch/public/en/lhc/safety-en.html).

Steve Nerlich (Space Settlement Board member and Death-by-LHC skeptic)

I thought I would offer a series of quotes to counter the codswallop frequently expressed here — suggesting that mainstream physicists have genuine concerns about the safety of the LHC.

So, here’s one:

“The operation of the LHC is safe, not only in the old sense of that word, but in the more general sense that our most qualified scientists have thoroughly considered and analyzed the risks involved in the operation of the LHC. [Any concerns] are merely hypothetical and speculative, and contradicted by much evidence and scientific analysis.

Prof. Sheldon Glashow, Nobel Laureate in Physics, Boston University,

Prof. Frank Wilczek, Nobel Laureate in Physics, Massachusetts Institute of Technology,

Prof. Richard Wilson, Mallinckrodt Professor of Physics, Harvard University.

(from http://public.web.cern.ch/public/en/lhc/safety-en.html).

Steve Nerlich (Space Settlement Board member and Death-by-LHC skeptic)

With some help from colleagues, I recently produced a 365 Days of Astronomy podcast on why anti-CERN conspiracy theories about the LHC creating Earth-swallowing black holes really don’t make much sense.

The transcript is also available for reading on the 365 Days site if you are not a podcast fan.

Thanks

Steve Nerlich (Space Settlement Board member and Death-by-LHC skeptic)

Saul Perlmutter, Brian Schmidt and Adam Riess will share the 2011 Nobel Prize in Physics.

The Nobel Prize in Physics 2011 has been awarded “for the discovery of the accelerating expansion of the Universe through observations of distant supernovae” acknowledging the amazing discovery announced in 1998 that — based on the measured velocities of Type 1a supernovae — the rate of the universe’s expansion is increasing over time. The prize will be shared by three astronomers, now officially ‘outstanding in their field’, Saul Perlmutter of UC Berkeley, Brian P. Schmidt of the Australian National University and Adam G. Riess of Johns Hopkins University. Continue reading “Astronomers Win 2011 Nobel Prize in Physics” | >

Hi folks,

Given the interest of this blog in all things CERN, here’s my take on the recent OPERA/CGNS beam findings — where neutrinos were measured as travelling faster than light (FTL). My article is published on Universe Today — a moderated science blog.

Like LHC-will-destroy-the-Earth theories, the FTL finding is probably a load of old bollocks since it conflicts with core principles of modern physics - but the science team has provided a detailed paper with all their data, assumptions and calculations available for public scrutiny and comment - to enable everyone to get to the bottom of the problem. Very professional and appropriate practice — they are CERN scientists after all.

I hope this may be of interest.

Steve Nerlich (Space Settlement Board member and death-by-LHC skeptic)