Research Engineer Ryan McClelland pioneered the design of one-off spacecraft and mission elements for NASA using commercially available AI software.
Category: space travel – Page 120
We don’t mean new alternatives to Cheetos, Funyuns, or some other processed snack. We’re talking about developing truly revolutionary, nutritional, and tasty foods that require minimal resources and minimal space, and still fulfill the dietary needs of space travelers or Earth-bound people suffering from famine or nutritional deficiencies.
NASA has announced 11 finalists in Phase 2 of the Deep Space Food Challenge, a competition to find unique ways to feed astronauts on extended space missions, such as voyages to Mars and beyond. The Challenge, which is co-sponsored by Methuselah Foundation, invited innovators to design, build, and test new ways to sustain astronauts during months-or years-long space missions.
“As we prepare for long-duration human spaceflight, food is essential not only for nutrition, but also familiarity and comfort on long voyages and in isolated environments,” said Jim Reuter, associate administrator for NASA’s Space Technology Mission Directorate in an agency statement. “The creativity of innovators is allowing us to tackle this important yet complex challenge in new and interesting ways.”
Amazon founder Jeff Bezos’ space firm, Blue Origin, announced it has developed a method for producing solar cells and transmission wire using only lunar regolith.
Blue Origin famously filed a legal complaint against NASA after it snubbed its lunar lander design in favor of awarding SpaceX a contract for a modified Starship lander.
WASHINGTON — SpaceX has abandoned efforts to convert two oil rigs into launch platforms for its Starship vehicle, but the company still believes that offshore launch platforms will be part of its long-term plans.
In 2020, SpaceX acquired two oil rigs, which it subsequently named Phobos and Deimos after the two moons of Mars. The company planned to convert the rigs into offshore launch platforms that would be used for its Starship vehicles.
“SpaceX is building floating, superheavy-class spaceports for Mars, moon & hypersonic travel around Earth,” tweeted SpaceX Chief Executive Elon Musk in June 2020, shortly after job postings for “offshore operations engineers” were posted on SpaceX’s website.
Whether or not Blue Origin puts a lander on the Moon, it might play a key role in sustaining lunar operations. Jeff Bezos’ spaceflight company has revealed that it can produce solar cells and transmission wire using simulated Moon regolith. The firm’s Blue Alchemist technique uses molten electrolysis to separate the lunar soil’s aluminum, iron and silicon from bound oxygen to extract key materials. The process can build solar cells, cover glass and aluminum wire using only sunlight and the reactor’s silicon.
This approach would not only save explorers the trouble of importing material, but would be kinder to both the Moon and Earth. There are no carbon-based emissions, no chemicals and no need for water. The resulting solar cells can operate on the Moon for over a decade despite a “harsh” environment, Blue Origin claims.
As Ars Technica explains, Blue Origin is pitching this as a solution for NASA’s Artemis program and missions to Mars. The space agency could establish bases or other long-term installations while minimizing the environmental impact. While the concept of using regolith to build outposts isn’t new, earlier efforts have largely focused on habitats rather than the power supplying those off-world facilities.
Science fiction films love to show off huge leaps in technology. The latest Avatar movie features autonomous, spider-like robots that can build a whole city within weeks. There are space ships that can carry frozen passengers lightyears away from Earth. In James Cameron’s imagination, we can download our memories and then upload them into newly baked bodies. All this wildly advanced tech is controlled through touch-activated, transparent, monochrome and often blue holograms. Just like a thousand other futuristic interfaces in Hollywood.
When we are shown a glimpse of the far future through science fiction films, there are omnipresent voice assistants, otherworldly wearables, and a whole lot of holograms. For whatever reason these holograms are almost always blue, floating above desks and visible to anyone who might stroll by. This formula for futuristic UI has always baffled me, because as cool as it looks, it doesn’t seem super practical. And yet, Hollywood seems to have an obsession with imagining future worlds washed in blue light.
Perhaps the Hollywood formula is inspired by one of the first holograms to grace the silver screen: Princess Leia telling Obi-Wan Kenobi that he is their only hope. Star Wars served as an inspiration for future sci-fi ventures, so it follows that other stories might emulate the original. The Avatar films have an obvious penchant for the color blue, and so the holograms that introduce us to the world of Pandora and the native Na’vi are, like Leia, made out of blue light.
The company’s prototype is a smaller version of the nuclear reactor it’s hoping to send to the Moon by 2029.
My God it’s full of stars.
2010: Odyssey Two — The Year We Make Contact. (Contains Spoilers)
The Forgotten Sequel.
Starring: Roy Scheider.
A joint U.S.-Soviet expedition is sent to Jupiter to learn what happened to the Discovery, and H.A.L.
I don’t know why I wanted to make this.
I find this a forgotten sequel, or people avoid it thinking it was a bad sequel. I find it very fine even if nothing can reach 2001.
Music:
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Blue Origin was selected to perform a Mars mission for NASA.
The U.S. space agency announced in a statement that it had contracted billionaire Jeff Bezos’ private space firm to launch a mission next year to study the magnetic field around Mars.