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This clip is from the following episode: https://youtu.be/xqS5PDYbTsE

Recorded on Oct 18th, 2024
Views are my own thoughts; not Financial, Medical, or Legal Advice.

In this episode, Ray and Peter discuss 2025 predictions, Job loss in the coming years, and Ray’s thoughts on nanotech taking over the world.

Ray Kurzweil is a world-class inventor, thinker, and futurist, with a thirty-five-year track record of accurate predictions. He has been a leading developer in artificial intelligence for 61 years – longer than any other living person. He was the principal inventor of the first CCD flat-bed scanner, omni-font optical character recognition, print-to-speech reading machine for the blind, text-to-speech synthesizer, music synthesizer capable of recreating the grand piano and other orchestral instruments, and commercially marketed large-vocabulary speech recognition software. Ray received a Grammy Award for outstanding achievement in music technology; he is the recipient of the National Medal of Technology, was inducted into the National Inventors Hall of Fame, and holds twenty-one honorary Doctorates. He has written five best-selling books including The Singularity Is Near and How To Create A Mind, both New York Times bestsellers, and Danielle: Chronicles of a Superheroine, winner of multiple young adult fiction awards. His new book, The Singularity Is Nearer was released on June 25th and debuted at #4 on the New York Times Best Seller list. He is a Principal Researcher and AI Visionary at Google.

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Haven’t heard from Bill Andrews in awhile.


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Here we talk with Dr Bill Andrews all about telomeres, why they are on the critical path of aging and finding a way to lengthen them is required in an complete longevity solution.
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00:00 Why telomeres.
07:10 Telomeres and aging.
14:36 Telomerase in stem cells.
20:15 BiOptimizers.
21:44 Telomere shortening.
23:25 Measuring telomere length.
25:30 Biological age.
30:30 Slowing telomere shortening.
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41:30 Sierra Science Chemicals \& Gene therapy.
49:30 How is telomerase repressed.
56:10 Liz Parrish \& Gene therapy.
1:01:40 Gene therapy delivery.
1:09:20 Telomerase \& cancer.
1:17:00 Why aging.
1:20:30 Telomeres \& senescence.
1:24:30 More information.

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A robot played cello in a curated concert for the Malmö Symphony Orchestra in southern Sweden.


Robotics is driving innovations across various sectors nowadays. This time, a new robot has entered the music arena to transform it. In a recent video, the robot was spotted playing the cello.

The industrial robotic arms with 3D-printed parts performed with the members of the orchestra in Sweden.

Developed by researcher and composer Fredrik Gran, the robot didn’t rely on AI tools to play cello. Instead, it was programmed using composer Jacob Muhlrad’s musical score, which was specially written for the robot.

Soon humanity may reach out to the galaxy and spread ourselves to every world in it, but in the billions and billions of years to come on those billions and billions of worlds, humanity shall surely diverge down many roads and posthuman pathways.

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Credits:
Posthuman Pathways.
Episode 470; October 24, 2024
Editor: Tim Lusko.
Produced, Narrated \& Written: Isaac Arthur.
Graphics:
Jeremy Jozwik.
Ken York YD Visual.
Udo Schroeter.
Select imagery/video supplied by Getty Images.
Music Courtesy of Epidemic Sound http://epidemicsound.com/creator

When we listen to a song or musical performance, out-of-tune singers or instruments are generally perceived as unpleasant for listeners. While it is well-established that mistuning can reduce the enjoyment of music, the processes influencing how humans perceive mistuning have not yet been fully delineated.

Researchers at the University of Minnesota recently carried out a study aimed at better understanding factors influencing the extent to which individuals can perceive mistuning in natural music. Their findings, published in Communications Psychology, highlight acoustic elements that influence the perception of dissonance when hearing out-of-tune singing voices or instruments.

“An out-of-tune singer or instrument can ruin the enjoyment of music,” Sara M. K. Madsen and Andrew J. Oxenham wrote in their paper. “However, there is disagreement on how we perceive mistuning in natural music settings. To address this question, we presented listeners with in-tune and out-of-tune passages of two-part music and manipulated the two primary candidate acoustic cues: beats (fluctuations caused by interactions between nearby frequency components) and inharmonicity (non-integer harmonic frequency relationships) across seven experiments.”