Microsoft will also contribute its algorithm knowledge to make Builder.ai’s Natasha, an AI assistant, sound more human.
Microsoft Corporation has invested an undisclosed amount in Builder.ai, a no-code builder startup, as it looks to diversify its bets in the artificial intelligence (AI) game. Builder.ai lets users with no technical knowledge or experience in coding build their own apps and manage them.
Microsoft is already ahead in the AI game thanks to its partnership with OpenAI, the maker of the popular chatbot ChatGPT.
The early days of AI in game development have been full of questions and murky answers.
For the most part, AI is exceptionally bad at illustrating hands. They come out six-fingered or four-fingered or, even worse, just some wispy ends that fade into the background. AI has been programming large Western 1940s-era smiles onto people of various cultures. It’s been reshaping images we know and refitting them according to prompts. Depending on the data that it’s fed, though, sometimes AI has solutions, and sometimes it doesn’t. Video game developers and AI companies want to use these AI tools to streamline game development and make it faster.
As major video game publishers like Ubisoft start to utilize AI for their development workflows, developers are beginning to worry about future job prospects.
Fully AI generated movies are coming according to Avengers Endgame director.
It’s no secret that the Russo Brothers are creating content with an eye toward the future. The directors behind some of the Marvel Cinematic Universe’s biggest blockbusters have already been dropping ominous warnings about the future of cinema as it relates to Gen Z’s viewing behavior and the rise of artificial intelligence. Now, in a new conversation with Collider ’s Steve Weintraub and Epic Games’ Chief Creative Officer Donald Mustard, Joe Russo states his belief that a fully AI movie—one so convincing you don’t even know it’s AI—is only two years away.
(Oppenheimer is pronounced differently in different countries)Buy Inception on 4K BluRay: https://amzn.to/41xtARpLike and subscribe for weekly updates! Movie…
Called it. and i said 2029/2030. Looks like will happen sooner. my prediction was AI would be able to do 100% of production start to end, with almost zero input from people, except maybe for a creative director — producer person.
As artificial intelligencecontinues to disrupt the entertainment industry, many moviegoers have been left wondering at what point AI will be creating full feature films. According to Joe Russo, co-director of Marvel movies such as “Avengers: Endgame” and “Avengers: Infinity War,” that time could be coming in two years.
“I’m on the board of a few AI companies,” Russo told Collider. “I’m gonna speak from my experience of being on the board of those companies, [so] there are AI companies that are developing AI to protect you from AI. And unfortunately, we’re in that world, and you will need an AI in your life because whether we want to see it developed or not, people who are not friendly to us may develop it anyways. So, we’re going to be in that future. The question is, then, how we protect ourselves in that future?”
The first-ever feature film shot in space has premiered on April 20, 2023 and Moscow is celebrating the achievement, considering it a victory over a rival Hollywood project amid rising tensions with the West. In October 2021, Russia dispatched an actor and a film director to the International Space Station to shoot scenes for a movie titled “The Challenge.” The plot of the film revolves around a surgeon who is sent to the ISS to save an injured cosmonaut. The filming took place during a 12-day stint onboard the orbiting laboratory. In a competition to produce the first feature film shot in space, the Russian crew emerged as the winners, surpassing a Hollywood project that was announced in 2020 by Tom Cruise in collaboration with NASA and Elon Musk’s SpaceX.
Synopsis: “Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got?
#Peacock #MrsDavis #OfficialTrailer.
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The first 2 minutes includes the best layman description of how ChapGPT works that I’ve heard yet:
Ready to blast off into a new world of gaming? In this exciting video, we’re taking AI to the next level as we install ChatGPT as a co-pilot in my SimPit game station. But this isn’t just your average AI installation — get ready for a hilarious space adventure as we explore the ups and downs of integrating ChatGPT into our gaming setup.
But before we launch into the fun, we’ll start by demystifying web APIs and explaining what AI is all about. Then, it’s time to dive into the installation process and see just how “easy” it is to set up ChatGPT as your very own AI co-pilot. You’ll learn all about the web APIs used to connect ChatGPT to your SimPit and get a firsthand look at the benefits of having an AI co-pilot by your side during gameplay.
But wait, there’s more! As we embark on our space adventure, things start to get a little… interesting. ChatGPT goes rogue, taking us on a wild ride through the galaxy as we try to keep up with its antics. From malfunctioning code to unexpected encounters with alien life, you won’t want to miss a single moment of this thrilling journey.
So what are you waiting for? Strap in and get ready for an AI installation experience like no other. Join us on our spaceship AI adventure and discover the fun side of web APIs and artificial intelligence!
Universal Pictures presents the debut title in the Universal Pictures Film Music Classics Collection — the world premiere release of renowned composer Michel Colombier’s (UNE CHAMBRE EN VILLE, AGAINST ALL ODDS, RUTHLESS PEOPLE, THE GOLDEN CHILD) original motion picture score to the 1970 classic sci-fi feature film COLOSSUS: THE FORBIN PROJECT, starring Eric Braeden, Susan Clark and Gordon Pinsent, and directed by Joseph Sargent. Never before officially available in any format, Colombier’s wildly inventive score finally gets the deluxe treatment it deserves. It’s a musical marvel, and key to the film’s unending cult status, as it expertly balances cold suspense and unrelenting dread with moving emotion and even romance. The music program of this release was produced, mixed into stereo from 3-channel split elements, and mastered by Mike Matessino.