Lifeboat Foundation

My point on this would just be that AI will be able to make anything you want into a game, or movie, or TV episode. And, it can be any length you want; play it as it was intended, or you can change it in any direction you want. with movies and TV i also can see people trying to play interactively as a character in the story. media in 2030s.

The founder and CEO of Midjourney, David Holz, has some truly inspiring views around how AI image generation will transform the gaming industry. During the short time we spoke this week, I had to hold myself back from falling too deep into the AI rabbit hole. In the process, I discovered Holz’s view on how this kind of tech will develop and how it’s likely to benefit the gaming industry, as well as human creativity as a whole.

Holz believes that one day in the near future, “you’ll be able to buy a console with a giant AI chip and all the games will be dreams.”

It was clearly about Albert Einstein although not a lot of people seemed to be aware of the fact. It was a great song for a video, and one of my favorite on this particular album, the other’s being “Nobody Home”, “Closet Chronicles”, and “Dust In The Wind”.

Point of Know Return was HUGE in 1978! I remember listening to it over and over and over…loved the many instrumental breaks and solos.

Continue reading “‘Portrait (He Knew)’ was released in 1977 on the album Point Of Know Return” »

The team’s sensor design is a form of electronic skin, or “e-skin” — a flexible, semiconducting film that conforms to the skin like electronic Scotch tape. The heart of the sensor is an ultrathin, high-quality film of gallium nitride, a material that is known for its piezoelectric properties, meaning that it can both produce an electrical signal in response to mechanical strain and mechanically vibrate in response to an electrical impulse.

The researchers found they could harness gallium nitride’s two-way piezoelectric properties and use the material simultaneously for both sensing and wireless communication.

In their new study, the team produced pure, single-crystalline samples of gallium nitride, which they paired with a conducting layer of gold to boost any incoming or outgoing electrical signal. They showed that the device was sensitive enough to vibrate in response to a person’s heartbeat, as well as the salt in their sweat, and that the material’s vibrations generated an electrical signal that could be read by a nearby receiver. In this way, the device was able to wirelessly transmit sensing information, without the need for a chip or battery.

By epitaxially growing films from colloids, researchers show that they can monitor interactions and behaviors of the particles that are difficult—and sometimes impossible—to capture for similar films grown from atoms.

Researchers at the National Institute of Standards and Technology (NIST) have adapted their atom-based radio receiver to detect and display live color television and video games.

Atom-based communications systems are of practical interest because they could be physically smaller and more tolerant of noisy environments than conventional electronics. Adding video capability could enhance radio systems in, for example, remote locations or emergency situations.

NIST’s receiver uses atoms prepared in high-energy “Rydberg” states, which are unusually sensitive to electromagnetic fields, including radio signals. These sensors also enable signal power measurements linked to the international system of units (SI). The latest work, described in AVS Quantum Science, is the first to demonstrate video reception.

A battle for mainstream GPUs could start later this year.

Intel has released 48 benchmarks that show its upcoming Arc A750 GPU should be able to trade blows with Nvidia’s RTX 3,060 running modern games. While Intel set its expectations low for its Arc GPUs last month, the company has now tested its A750 directly against the RTX 3,060 across 42 DirectX 12 titles and six Vulkan games.

Continue reading “Intel shares 48 benchmarks to show its Arc A750 can compete with an RTX 3060” »

Elon Musk’s first entrepreneurial venture was selling a video game called Blastar when he was 12 years old. Here’re a few more examples.

Check out the size of these awesome orbital rings!

Filmmaker Hashem Al-Ghaili has created a micro-budget sci-fi film with amazing visual effects and megastructures in ‘Orbital.’

In artist Miao Ying’s animated film Surplus Intelligence, a cockroach falls in love with the artificial intelligence responsible for monitoring her behavior. There’s only one problem: The AI, personified as a man with movie-star looks, committed a crime in Walden XII, the quasi-medieval fantasyland where the story is set. He stole the village’s power stone, and so the roach sets off to mine bitcoin to save him.

Viewers might see in the plot a metaphor for the conflicted relationship some Chinese people have with social credit scoring, which is meant to nudge citizens toward better behavior. Or it could be a nod to the insidious ways social media platforms like Twitter and Facebook condition our behavior and mine us for data. If the tale itself seems a little ridiculous at times, that’s because Miao had a stealth collaborator: the AI text-generating system GPT-3, which wrote the script for the film. That power stone in the village? GPT-3 determined that it looks like “a burrito from Mexico,” perhaps a side effect of all the advertising copy GPT-3 has been tasked with writing.

The half-hour film is on view through the end of the year at the Asia Society in New York as part of the exhibition Mirror Image: A Transformation of Chinese Identity. “All of Miao Ying’s work is a satirical look at what digital means in China,” says Barbara Pollack, who curated Mirror Image and wrote the book Brand New Art from China. But, she notes, the works also celebrate the creativity the policies inspire in its citizens. Miao’s Hardcore Digital Detox (2018) challenges viewers to experience the internet behind the Great Firewall—and without the filter bubbles that platforms in the East and West impose. Chinternet Plus (2016) describes how to brand a “counterfeit ideology.” And for 2007’s Blind Spot, Miao manually annotated a Chinese dictionary to indicate all of the words that were censored on Google.cn at the time.