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Blog – Page 2011

In the world of quantum computing, the spotlight often lands on the hardware: qubits, superconducting circuits, and the like. But it’s time to shift our focus to the unsung hero of this tale – the quantum software, the silent maestro orchestrating the symphony of qubits. From turning abstract quantum algorithms into executable code to optimizing circuit designs, quantum software plays a pivotal role.

Here, we’ll explore the foundations of quantum programming, draw comparisons to classical computing, delve into the role of quantum languages, and forecast the transformational impact of this nascent technology. Welcome to a beginner’s guide to quantum software – a journey to the heart of quantum computing.

Quantum vs. Classical Programming: The Core Differences.

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Artificial intelligence using neural networks performs calculations digitally with the help of microelectronic chips. Physicists at Leipzig University have now created a type of neural network that works not with electricity but with so-called active colloidal particles. In their publication in Nature Communications, the researchers describe how these microparticles can be used as a physical system for artificial intelligence and the prediction of time series.

“Our neural network belongs to the field of physical computing, which uses the dynamics of physical processes, such as water surfaces, bacteria or octopus tentacle models, to make calculations,” says Professor Frank Cichos, whose research group developed the network with the support of ScaDS.AI.

“In our realization, we use synthetic self-propelled particles that are only a few micrometers in size,” explains Cichos. “We show that these can be used for calculations and at the same time present a method that suppresses the influence of disruptive effects, such as noise, in the movement of the .” Colloidal particles are particles that are finely dispersed in their dispersion medium (solid, gas or liquid).

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“Bodily maps of musical sensations across cultures”

Emotions, bodily sensations and movement are integral parts of musical experiences. Yet, it remains unknown i) whether emotional connotations and structural features of music elicit discrete bodily sensations and ii) whether these sensations are culturally consistent. We addressed these questions in a cross-cultural study with Western (European and North American, n = 903) and East Asian (Chinese, n = 1035). We precented participants with silhouettes of human bodies and asked them to indicate the bodily regions whose activity they felt changing while listening to Western and Asian musical pieces with varying emotional and acoustic qualities. The resulting bodily sensation maps (BSMs) varied as a function of the emotional qualities of the songs, particularly in the limb, chest, and head regions.

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