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Category: robotics/AI – Page 1,206

“Don’t believe everything you see on the Internet” has been pretty standard advice for quite some time now. And according to a new report from European law enforcement group Europol, we have all the reason in the world to step up that vigilance.

“Experts estimate that as much as 90 percent of online content may be synthetically generated by 2026,” the report warned, adding that synthetic media “refers to media generated or manipulated using artificial intelligence.”

“In most cases, synthetic media is generated for gaming, to improve services or to improve the quality of life,” the report continued, “but the increase in synthetic media and improved technology has given rise to disinformation possibilities.”

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Researchers have created a device that uses machine vision to spot cockroaches and zap them with a laser. They say the method could offer a cheaper and more environmentally friendly alternative to insecticides.

Ildar Rakhmatulin at Heriot-Watt University in Edinburgh, UK, and his colleagues equipped a laser with two cameras and a small computer running an AI model that can be trained to target certain types of insect.

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Register now for your free virtual pass to the Low-Code/No-Code Summit this November 9. Hear from executives from Service Now, Credit Karma, Stitch Fix, Appian, and more. Learn more.

As AI spreads throughout the enterprise, organizations are having a difficult time balancing the benefits against the risks. AI is already baked into a range of tools, from IT infrastructure management to DevOps software to CRM suites, but most of those tools were adopted without an AI risk-mitigation strategy in place.

Of course, it’s important to remember that the list of potential AI benefits is every bit as long as the risks, which is why so many organizations skimp on risk assessments in the first place.

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❤️ Check out Runway and try it for free here: https://runwayml.com/papers/
Use the code TWOMINUTE at checkout to get 10% off!

📝 The paper “High Definition Video Generation with Diffusion Models” is available here:
https://imagen.research.google/video/

📝 My paper “The flow from simulation to reality” with clickable citations is available here for free:
https://rdcu.be/cWPfD

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Thumbnail background design: Felícia Zsolnai-Fehér — http://felicia.hu.

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Scientists including an Oregon State University materials researcher have developed a better tool to measure light, contributing to a field known as optical spectrometry in a way that could improve everything from smartphone cameras to environmental monitoring.

The study, published today in Science, was led by Finland’s Aalto University and resulted in a powerful, ultra-tiny that fits on a microchip and is operated using artificial intelligence.

The research involved a comparatively new class of super-thin materials known as two-dimensional semiconductors, and the upshot is a proof of concept for a spectrometer that could be readily incorporated into a variety of technologies—including quality inspection platforms, security sensors, biomedical analyzers and space telescopes.

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If you’ve been closely following the progress of Open AI, the company run by Sam Altman whose neural nets can now write original text and create original pictures with astonishing ease and speed, you might just skip this piece.

If, on the other hand, you’ve only been vaguely paying attention to the company’s progress and the increasing traction that other so-called “generative” AI companies are suddenly gaining and want to better understand why, you might benefit from this interview with James Currier, a five-time founder and now venture investor who cofounded the firm NFX five years ago with several of his serial founder friends.

Currier falls into the camp of people following the progress closely — so closely that NFX has made numerous related investments in “generative tech” as he describes it, and it’s garnering more of the team’s attention every month. In fact, Currier doesn’t think the buzz about this new wrinkle on AI isn’t hype so much as a realization that the broader startup world is suddenly facing a very big opportunity for the first time in a long time. “Every 14 years,” says Currier, “we get one of these Cambrian explosions. We had one around the internet in ’94. We had one around mobile phones in 2008. Now we’re having another one in 2022.”

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Next, you seem to assume that when I catch a ball, my mind solves equations unconsciously, brining together inertia, gravity, air resistance to calculate my response. You may be right, but I don’t think most neuroscientist agree with you. That’s another computationalist prejudice. Rather than solving equations, my nervous system uses experience and extrapolation through repeated trial and improvement to hone a skill in extrapolating paths; no equations involved. As I say, I could be wrong, it’s an empirical question. But as far as I know, the balance of evidence and theory supports my interpretation.

The meaning of semantics is not just that it means something, but that it can be used to make statements about the world, beyond the formal system used to express that meaning. That, too, is definitional.

Your main argument seems like a really desperate move to sustain the computationalist faith that you assert at the beginning in the face of huge, perhaps insuperable difficulties.

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The recipe for the Imaginarium is locked behind the ancient doors. Three brave hunters are sent on a mission to get the three mysterious scrolls needed to open them… but somebody doesn’t like it at all.

Official Music Video for “Imaginarium” by Fish Basket.

But this track on Bandcamp: https://fishbasket.bandcamp.com/track/imaginarium.

This video was classically shot and modified using artificial intelligence.

Shot and edited by Kamil Arbuz (Arbuz Hyper Film) — https://www.facebook.com/arbuzhyperfilm @ARBUZ HYPER FILM
Directed by: Fish Basket and Kamil Arbuz.
Produced by Kamil Arbuz and Piotr Wicher.
Ai FX: Piotr Wicher.
Sound FX: Kamil Arbuz.
Screenplay: Fish Basket.
Additional editing: Piotr Wicher.
Costumes: Fish Basket.
Music recorded in Rombalnia by Adam Gajewski and Piotr Wicher.
Music Production: Piotr Wicher.
Mix and mastering: Nebula Studio.

Cast:

Continue reading “Fish Basket — Imaginarium (Official Music Video)” | >