MBW’s Stat Of The Week is a series in which we highlight a single data point that deserves the attention of the global music industry. Stat Of the Week is supported by Cinq Music Group, a technology-driven record label, distribution, and rights management company. 
Continue to article…The use of artificial intelligence-created music just moved up a gear.
🔺An ambient Sci Fi journey that evolves from light to dark, evoking imagery of distant, undiscovered secrets of the beyond. Let the music guide your mind and prepare for a ride smile In all seriousness though, this is quite a nice one. Not superhappy with the results, but it’s good enough. It’s reminescent of my older sci fi journeys. At times you may find it to dark and pressing, but the light will come again. Also, the ambience in this one is really cool. I took my time to sound design passing spaceships and shuttles as distant traffic in the background and it works extremely well and feels totally believable imo. Think I’m gonna do a video just for that ambience. Oh, visuals is kinda great too smile Thanks for your support guys smile Have a great day everyone🔺 SEO: I create ambient space music, ambient sci fi music, ambient cyberpunk music, ambient fantasy music to be used as ambient background music. You can use the music as ambient music for study, ambient music for focus, ambient music for work, ambient music for sleep, ambient music for relaxation, ambient music for reading, ambient music for writing — whatever really smile All my ambient music contains rain ambience or nature ambience. My music is best described as atmospheric ambient music, soothing ambient music, relaxing ambient music, tranquil ambient music, ethereal ambient music, cinematic ambient music, dark ambient music.
Note:
All music on this channel is not to be used without permission. It’s made for this channel only and is protected by Youtube Copyright law.
Please help the channel by liking 👍, write a comment ✏️ and subscribe 🔔, thanks 🙏!
Programs & equipment!
AUDIO CREATED WITH:
Propellerhead Reason.
Audition.
Reaper.
Waves Plugins.
VISUALS CREATED WITH:
It will be the sight of astronauts on the moon, their gaze drawn to the strange movements of planet Earth and its sun, something that is sure to be an amusing sight for future NASA astronauts at the moon’s south pole.
This visualization shows the unusual movements of the Earth and the Sun as seen from the South Pole of the Moon. The animation compresses three months (a little over three lunar days) into two minutes. The virtual camera is on the rim of the Shackleton crater, partially visible in the lower right, and is pointed at Earth. The mountain on the horizon, some 85 miles away, is unofficially known as Mons Malapert.
Here, the Sun glides across the horizon, never more than 1.5 degrees above or below it, while the Earth bobs up and down, never straying from 0° longitude. The Earth appears to be upside down and spinning backward. The Sun’s perpetually low angle casts extremely long swirling shadows over the rugged lunar terrain.
In the second month of the visualization, the Earth passes in front of the Sun, creating an eclipse. For observers on Earth, this is a lunar eclipse, in which the Moon passes through the shadow cast by the Earth. However, seen from the Moon, it is an eclipse of the Sun.
Video Credit: NASA Goddard Space Flight Center Visualizations by: Ernie Wright (USRA) Narrated by: Ernie Wright (USRA) Produced and Edited by: David Ladd (AIMM) Principal Scientist: Noah Petro (NASA/GSFC) Technical Support: Laurence Schuler (ADNET), net. /Jones (ADNET)
Music provided by Universal Production Music: “Enwhileing Faith” — Frederik Wiedmann.
https://svs.gsfc.nasa.gov/4944. https://nasa.gov/multimedia/guidelines.
Godard of NASA.
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It’s time we talked about loop quantum gravity. What exactly is it? What are the loops? And can it really defeat string theory in our quest for a Theory of Everything?
Hosted by Matt O’Dowd.
Written by Graeme Gossel & Matt O’Dowd.
Graphics by Leonardo Scholzer.
Directed by: Andrew Kornhaber.
Executive Producers: Eric Brown & Andrew Kornhaber.
End Credits Music by J.R.S. Schattenberg: https://www.youtube.com/channel/UCRl6-nb4iOnsij-vnpAjp0Q
Greg Bear, the affable San Diego native who wrote such highly acclaimed and plausible science fiction novels as “Blood Music,” “Darwin’s Radio” and “Eon” and who helped create San Diego Comic-Con, died Saturday in Seattle. He was 71.
His books included “Blood Music” and “Darwin’s Radio,” which helped establish him as a “hard” sci-writer who created plausible tales with the help of scientists.
The concept of linking many minds together to act in concert, or even fuse into a new singular entity, has been popular in science fiction for decades. Today we will explore the idea and Networked Intelligence in general, to see how realistic it is, and what benefits or concerns might arise from it.
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Cover Art by Jakub Grygier: https://www.artstation.com/artist/jakub_grygier.
Graphics Team:
Edward Nardella.
Jarred Eagley.
Justin Dixon.
Katie Byrne.
Kris Holland.
Misho Yordanov.
Murat Mamkegh.
Pierre Demet.
Sergio Botero.
Stefan Blandin.
Script Editing:
Andy Popescu.
Connor Hogan.
Edward Nardella.
Eustratius Graham.
Gregory Leal.
Jefferson Eagley.
Luca de Rosa.
Mark Warburton.
Michael Gusevsky.
Mitch Armstrong.
MolbOrg.
Naomi Kern.
Philip Baldock.
Sigmund Kopperud.
Tiffany Penner.
Music.
AJ Prasad, “Cold Shadows“
Lee Rosevere, “It’s such a beautiful day“
Kai Engel, “Morbid Imagination“
Sergey Cheremisinov, “Jump in Infinity“
Markus Junnikkala, “A Memory of Earth“
Brandon Liew, “Into the Storm”
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In this video, we’ll sit down in our time machine and go forward a few millenniums into the future, to see where we would be progressing as a civilization.
Chapters:
0:00 Opening.
0:51 The levels of civilization.
2:13 Timelapse of the future.
5:25 Year 2141
6:34 Year 2768
8:43 Conclusion.
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Music tracks in this video:
Researchers at the University of California, Irvine have discovered that the safe operation of a negative pressure room—a space in a hospital or biological research laboratory designed to protect outside areas from exposure to deadly pathogens—can be disrupted by an attacker armed with little more than a smartphone.
According to UCI cyber-physical systems security experts, who shared their findings with attendees at the Association for Computing Machinery’s recent Conference on Computer and Communications Security in Los Angeles, mechanisms that control airflow in and out of biocontainment facilities can be tricked into functioning irregularly by a sound of a particular frequency, possibly tucked surreptitiously into a popular song.
“Someone could play a piece of music loaded on their smartphone or get it to transmit from a television or other audio device in or near a negative pressure room,” said senior co-author Mohammad Al Faruque, UCI professor of electrical engineering and computer science. “If that music is embedded with a tone that matches the resonant frequency of the pressure controls of one of these spaces, it could cause a malfunction and a leak of deadly microbes.”
A trip deep into the far future, to the End of Earth.
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For most of human history, the end of Earth, the Universe, and Time itself were all identical, now we know the world will end in 4 billion years, long before the Universe begins to wind down. Today we will ask how we can extend that, and keep Earth around for far longer.
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Cover Art by Jakub Grygier: https://www.artstation.com/artist/jakub_grygier.
Script Editing.
Edward Nardella.
Keith Blockus.
Mark Warburton.
Matthew Acker.
MolbOrg.
N Kern.
Sigmund Kopperud (Wicked Woxel)
Graphics Team:
Edward Nardella.
Jeremy Jozwik.
Jarred Eagley.
Justin Dixon.
Jeremy Jozwik.
Katie Byrne.
Kris Holland of Mafic Stufios: www.maficstudios.com.
Luuk Warringa.
Mihail Yordanov.
Murat Mamkegh.
Nick Talmers Nieuwoudt.
Pierre Demet.
Sergio Botero: https://www.artstation.com/sboterod?fref=gc.
Stefan Blandin.
Music Supervisor.
Luca De Rosa.
Music:
It’s not really a Star Wars story unless there’s a lovable or memorable droid stealing the spotlight. But, when you really stop and think about it, there’s also something profoundly tragic about the role artificial lifeforms play in the Star Wars universe.
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REFERENCES
• Race in American Science Fiction by Isiah Lavender III
https://www.goodreads.com/book/show/10364882-race-in-american-science-fiction.
• Imagining Slaves and Robots in Literature, Film, and Pop Culture by Gregory Jerome Hampton.
https://www.goodreads.com/book/show/26371201-imagining-slave…ar-culture.
• The Cambridge Companion to Slavery in American Literature (Chapter 15) Beyond the Borders of the Neo-Slave Narrative by Jeffrey Allen Tucker.
https://www.goodreads.com/book/show/39293853-the-cambridge-c…literature.
• Asimov on Science Fiction in Science Fiction Digest, October-November 1981
https://archive.org/details/sfdigest19811011
• Janelle Monae’s “Many Moons” music video.
NOVELS REFERENCED