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The microphone is a pretty ubiquitous piece of technology that we’re all familiar with, but what if you’re not looking to record audio in the air, and instead want to listen in on what’s happening underwater? That’s a job for a hydrophone! Unfortunately, hydrophones aren’t exactly the kind of thing you’re likely to find at the big-box electronics store. Luckily for us, [Jules Ryckebusch] picked up a few tricks in his 20-year career as a Navy submariner, and has documented his process for building a sensitive hydrophone without needing a military budget.

Fascinated by all the incredible sounds he used to hear hanging around the Sonar Shack, [Jules] pored over documents related to hydrophone design from the Navy and the National Oceanic and Atmospheric Administration (NOAA) until he distilled it all down to a surprisingly straightforward build. The key to the whole build is a commercially available cylindrical piezoelectric transducer designed for underwater communication that, incredibly, costs less than $20 USD a pop.

The transducer is connected to an op-amp board of his own design, which has been adapted from his previous work with condenser microphones. [Jules] designed the 29 × 26 mm board to fit neatly within the diameter of the transducer itself. The entire mic and preamp assembly can be cast inside a cylinder of resin. Specifically, he’s found an affordable two-part resin from Smooth-On that has nearly the same specific gravity as seawater. This allows him to encapsulate all the electronics in a way that’s both impervious to water and almost acoustically transparent. A couple of 3D-printed molds later, the hydrophone was ready to cast.

The US National Transportation Safety Board (NTSB) says it is investigating the February 16 crash of a Joby Aviation air taxi prototype in Jolon, California.


The experimental air taxi was being piloted remotely when it went down during a flight at the company’s test base on Wednesday. According to a preliminary report by the FAA, no injuries have been reported.

Glacier Peak in Snohomish County is currently at a “very high” threat for eruption — the top classification of threat levels, according to federal scientists.

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It’s hard to find a single event with a bigger audience than the Super Bowl, which has made it one of the hottest pieces of advertising real estate anywhere. Meta went big this year with a 60 second ad spot that served to both promote VR to a national audience and solidify its rebranding from Oculus Quest 2 to Meta Quest 2.

If you were watching the Rams and Bengals duke it out during Super Bowl 56 on Sunday, you will also have been introduced to ‘Questy’s’ in an ad during the first quarter. The 60 second spot, which centered around a personified animatronic band that once played at a restaurant called Questy’s, was likely the single most expensive VR-related ad ever shown on TV to date.

Researchers at Leipzig University have succeeded in moving tiny amounts of liquid at will by remotely heating water over a metal film with a laser. The currents generated in this way can be used to manipulate and even capture tiny objects. This will unlock groundbreaking new solutions for nanotechnology, the manipulation of liquids in systems in tiny spaces, or in the field of diagnostics, by making it possible to detect the smallest concentrations of substances with new types of sensor systems.

The findings are described in an article recently published in Nature Communications (“Hydrodynamic manipulation of nano-objects by optically induced thermo-osmotic flows”).

Illustration of a gold nanoparticle trapped near a locally heated gold surface by hydrodynamic and van der Waals forces. (Image: Martin Fränzl, Universität Leipzig)

Production designer Jon Henson drew on minimalist Japanese architecture to create a house that acts “like a fourth character” for the set of BBC television series The Girl Before.

Written by British author JP Delaney, The Girl Before is a psychological thriller novel set in a fictional one-bedroom house called One Folgate Street in Hampstead, London.

For the TV series, which was created by BBC and HBO Max, the majority of the interior scenes were filmed last spring in a purpose-built set at Bottle Yard Studios in Bristol, while the house’s exterior was specially built.