Aesthetic bewilderment is a kind of common ground in science and art, an engine for new ideas in both disciplines, writes Brazilian artist Vik Muniz in the introduction to a new book of photographs and essays about bacteria by microbiologist Tal Danino. That book, titled Beautiful Bacteria: Encounters in the Microuniverse, was published last week.
Danino collaborated with Muniz on a number of projects—including one that involved making art out of viruses and cancer cells—when Muniz was a visiting artist at MIT. “I think that scientists oftentimes see a beautiful pattern and wonder about the underlying processes that make such a pattern happen,” says Danino when I ask him what aesthetic bewilderment means to him. Take the complex architectures of the snowflake, the markings on the coats of animals, or the fractal-like arrangements produced by some communities of microbes. “I think that there’s a lot of scientific work that just begins with a scientist saying, ‘Wow, this is such a cool pattern or dynamic process and I really want to study it,’” he says.
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