I can’t help myself. I keep thinking about the 1961 musical Stop the World—I Want to Get Off. After opening in Manchester, England, the show transferred to the West End, London, where it ran for 485 performances.
It’s not that the plot of this extravaganza has anything to do with what we are talking about here. It’s just that the sentiment embodied by the show’s title reflects the way I’m currently feeling about artificial intelligence (AI) and machine learning (ML).
On the one hand, the current state of play with AI and ML is tremendously exciting. On the other hand, I’m starting to think that I’ve enjoyed all the excitement I can stand.
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