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#dystopia #technocracy #AClockworkOrange.

A Clockwork Orange is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess’s 1962 novel of the same name. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain.

Whether this “complements or contradicts existing religious value systems depends largely on the interpretation of those systems by the people who have adopted them,” said Frank. “However, my interviews with astronauts of faith suggest that their religious perspective was strengthened, rather than being weakened.”

Frank notes that his cosmology has parallels with Yuval Harari ’s “dataism,” described by Harari as the “most interesting emerging religion.” Dataism, as defined by Harari, “says that the universe consists of data flows, and the value of any phenomenon or entity is determined by its contribution to data processing.” This may sound kind of cold and metallic, but if life is an algorithm and self-awareness is data processing the parallels with Frank’s ideas are evident.

At the MVA webinar there wasn’t time to address all the points I wanted to discuss with Frank. So I had this new conversation with him. Please find below my comments and questions (all related to space philosophy, cosmic metaphysics, and religion), and listen to hear Frank’s thoughtful replies and other points that came up.

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Welcome to Futureunity, where we explore the fascinating world of science, technology, and the universe! From the inner workings of the human body to the outer reaches of space, we delve into the latest and most interesting discoveries that are shaping our world. Whether you’re a science buff or just looking for some mind-blowing facts, we’ve got you covered. Join us as we uncover the mysteries of the world around us and discover new frontiers in the fields of science and technology. Get ready for a journey that’s both educational and entertaining!

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Every time a person dies, writes Russian novelist Vasily Grossman in Life and Fate, the entire world that has been built in that individual’s consciousness dies as well: “The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out… flowers have lost their color and fragrance; bread has vanished; water has vanished.” Elsewhere in the book, he writes that one day we may engineer a machine that can have human-like experiences; but if we do, it will have to be enormous—so vast is this space of consciousness, even within the most “average, inconspicuous human being.”

And, he adds, “Fascism annihilated tens of millions of people.” Trying to think those two thoughts together is a near-impossible feat, even for the immense capacities of our consciousness. But will machine minds ever acquire anything like our ability to have such thoughts, in all their seriousness and depth? Or to reflect morally on events, or to equal our artistic and imaginative reach? Some think that this question distracts us from a more urgent one: we should be asking what our close relationship with our machines is doing to us.

Jaron Lanier, himself a pioneer of computer technology, warns in You Are Not a Gadget that we are allowing ourselves to become ever more algorithmic and quantifiable, because this makes us easier for computers to deal with. Education, for example, becomes less about the unfolding of humanity, which cannot be measured in units, and more about tick boxes.

An artificial intelligence-generated virtual news presenter that will read internet bulletins has been unveiled by a Kuwaiti media organisation.
On Saturday, “Fedha” appeared as a picture of a woman with her light-colored hair exposed and wearing a black jacket and a white T-shirt on the Twitter account of the Kuwait News website.
“Hello, my name is Fedha, and I work for Kuwait News as the country’s first artificial intelligence-based presenter. What sort of news do you like to read? I’d want to hear your thoughts,” she said in traditional Arabic.

#ai #fedha #wion.

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