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Hey all! I hope you are doing fine despite the coronavirus outbreak! I have just made a video about what the world will look like immediately after the coronavirus outbreak. If this is interesting to you, please check it out!


Ever wondered what the world will look like after the corona virus (COVID-19) pandemic is over? In this video, I go over how our society could change for years or even decades to come after the corona virus pandemic is over. Topics I talk about include how religion, education, lifestyle, and automation after the pandemic.

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Here is a link to First-Person Science Podcast: https://www.youtube.com/channel/UCxIStqpo1YZRTFKn5m1J0iQ

Drone attack kills refugees in Syria. It is unclear whether the drones are remotely controlled by humans or whether they drones are autonomous.

“Turkey has launched a deadly drone strike on a refugee camp in Iraq’s northern semi-autonomous Kurdistan region…air defense detected a Turkish drone breaching the Iraqi airspace and firing a rocket on Maxmur refugee camp near the town of Makhmour on Wednesday…Two women were killed in the raid, the statement said. Iraqi media later reported that the death toll had risen to three.”


A Turkish drone strike on a refugee camp in northern Iraq has killed three women, sparking condemnation from Iraqi officials.

Remember those tales of drones harassing northeastern Colorado back in December?

If they ever come back, the Air Force may have a new way to zap them from the sky. The service announced Monday it is ready to test its first high-energy lasers for use against enemy drones overseas.

“(Troops) will utilize this system as an operational asset against small unmanned aircraft systems for the duration of the field assessment,” said Michael Jirjis, who headed development of the laser for the Air Force Research Laboratory in Ohio.

Pew-pew-pew is coming soon-soon-soon.

The U.S. Navy plans to put a laser weapon on a warship by 2021. The High Energy Laser with Integrated Optical-dazzler and Surveillance (HELIOS) system, or HELIOS, is a defensive weapon system designed to burn boats and shoot down unmanned drones. The weapon will go to sea with a guided missile destroyer assigned to the Pacific Fleet in two years’ time, the Navy says.

The service placed an order for HELIOS in January 2019. The $150 million contract, awarded to Lockheed Martin, calls for the company to deliver two systems. According to a company press release, one will go to White Sands Missile Range in New Mexico for testing. USNI News says the Navy will install the other on a Arleigh Burke-class guided missile destroyer.

This is a disturbing article on the utilization of drones by Turkey in attacks in Syria. What is unclear to me is whether the drones were piloted or whether they were autonomous. This is a critical distinction for me because drones that are piloted by humans are under human control and are legal. Autonomous drones are killer robots and are immoral.

“Regardless of an exact death toll and damage evaluation, there is a general understanding that the Idlib attacks were an example of effective air warfare, in which killer drones, rather than piloted jets, played a key role. “My understanding is that Turkey compensated for its inability to fly jets over Idlib by using drones, lots of drones,” says Aron Lund, a fellow with U.S.-based think tank The Century Foundation.”

Ban Killer Robots!


Those who want to win do not prepare for wars of today — they prepare for wars that are to be fought tomorrow.

As it appears, this golden rule of military art is carefully adhered to in the power corridors of Turkey, which is now playing its own complicated game in the multisided war in Syria.

The recent developments in Idlib, the last rebel-held enclave in Syria’s northeast, showed that the Turkish military is hightailing rapidly towards the future, with its massive use of unmanned aerial vehicles.

Much of the work undertaken by artificial intelligence involves a training process known as machine learning, where AI gets better at a task such as recognising a cat or mapping a route the more it does it. Now that same technique is being use to create new AI systems, without any human intervention.

For years, engineers at Google have been working on a freakishly smart machine learning system known as the AutoML system (or automatic machine learning system), which is already capable of creating AI that outperforms anything we’ve made.

Now, researchers have tweaked it to incorporate concepts of Darwinian evolution and shown it can build AI programs that continue to improve upon themselves faster than they would if humans were doing the coding.

When we think of the interaction between mankind and any type of artificial intelligence in mythology, literature, and pop culture, the outcomes are always negative for humanity, if not apocalyptic. In Greek mythology, the blacksmith god Hephaestus created automatons who served as his attendants, and one of them, Pandora, unleashed all the evils into the world. Mary Shelley wrote the character named the Monster in her 1818 novel Frankenstein, as the product of the delusions of grandeur of a scientist named Victor Frankenstein. In pop culture, the most notable cases of a once-benign piece of technology running amok is the supercomputer Hal in 2001 Space Odyssey and intelligent machines overthrowing mankind in The Matrix. Traditionally, our stories regarding the god-like creative impulse of man bring about something that will overthrow the creators themselves.

The artificial intelligence-powered art exhibition Forging the Gods, curated by Julia Kaganskiy currently on view at Transfer Gallery attempts to portray the interaction between humans and machines in a more nuanced manner, showcasing how this relationship already permeates our everyday lives. The exhibition also shows how this relation is, indeed, fully reflective of the human experience — meaning that machines are no more or less evil than we actually are.

Lauren McCarthy, with her works “LAUREN” (2017) and its follow-up “SOMEONE” (2019) riffs on the trends of smart homes: in the former, she installs and controls remote-controlled networked devices in the homes of some volunteers and plays a human version of Alexa, reasoning that she will be better than Amazon’s virtual assistant because, being a human, she can anticipate people’s needs. The follow-up SOMEONE was originally a live media performance consisting of a four-channel video installation (made to look like a booth one can find at The Wing) where gallery-goers would play human versions of Alexa themselves in the homes of some volunteers, who would have to call for “SOMEONE” in case they needed something from their smart-controlled devices. Unfortunately, what we see at Forging The Gods is the recorded footage of the original run of the performance, so we have to forgo playing God by, say, making someone’s lighting system annoyingly flicker on and off.