Mandopop singer Stefanie Sun has gone viral on Bilibili, China’s largest user-generated video streaming site. But the sudden revival of interest in Sun, who hasn’t released an album since 2017, comes not from the artist having another moment of genius.
The songs that have attracted millions of views on Bilibili feature Sun’s voice cloned by artificial intelligence, raising questions about copyright protection.
Major record labels are going after AI-generated songs, arguing copyright infringement. Legal experts say the approach is far from straightforward.
A certain type of music has been inescapable on TikTok in recent weeks: clips of famous musicians covering other artists’ songs, with combinations that read like someone hit the randomizer button. There’s Drake covering singer-songwriter Colbie Caillat, Michael Jackson covering The Weeknd, and Pop Smoke covering Ice Spice’s “In Ha Mood.” The artists don’t actually perform the songs — they’re all generated using artificial intelligence tools. And the resulting videos have racked up tens of millions of views.
A group of scientists at Harvard Medical School are the pion-ears of innovative developments in hearing loss treatment.
Researchers at the school’s Mass Eye and Ear hospital claim to have developed a groundbreaking solution to hearing loss, one of the music community’s most vexing and elusive problems.
According to a study published in the Proceedings of the National Academy of Sciences, the researchers formulated a “drug-like cocktail” comprising various molecules that regenerate the inner ear hair cells responsible for relaying sounds to the brain.
Spotify CEO Daniel Ek discussed opportunities and concerns surrounding the integration of AI into the music platform, during its Q1 2023 earnings call.
With AI technology advancing rapidly, music industry players and streaming services face complex questions about copyright, ownership, and the balance between innovation and artist protection.
This was Spotify’s first earnings call following the removal of “Heart on My Sleeve,” an AI-generated track mimicking Drake and The Weeknd that racked up millions of plays on the platform.
The Galaxy is approximately 13 billion years old, which makes one wonder — just how many civilizations could have come and gone across that ocean of time? Today, we try something a little bit different for this channel, and imagine when and how the first civilization could have lived. The story is a fiction, but it provides a narrative around which we can more viscerally experience the conditions of the early cosmos, and the fragility of life itself.
THANK-YOU to our supporters D. Smith, M. Sloan, L. Sanborn, C. Bottaccini, D. Daughaday, A. Jones, S. Brownlee, G. Fulton, N. Kildal, M. Lijoi, Z. Star, E. West, T. Zanjonc, C. Wolfred, F. Rebolledo, L. Skov, E. Wilson, A. de Vaal, M. Elliott, B. Daniluk, M. Forbes, S. Vystoropskyi, S. Lee, Z. Danielson, C. Fitzgerald, V. Alexandrov, L. Macchia, C. Souter, M. Gillette, T. Jeffcoat, H. Jensen, F. Linker, J. Rockett, N. Fredrickson, B. Mlazgar, D. Holland, J. Alexander, E. Hanway, J. Molnar, D. Murphree, S. Hannum, T. Donkin, K. Myers, A. Schoen, K. Dabrowski, J. Black, R. Ramezankhani, J. Armstrong, K. Weber, S. Marks, L. Robinson, F. van Exter, S. Roulier, B. Smith, P. Masterson, R. Sievers, G. Canterbury, J. Kill, J. Cassese, J. Kruger, S. Way, P. Finch, S. Applegate, L. Watson, T. Wheeler, E. Zahnle, N. Gebben, B. Weaver, E. Simonson, M. Murru, M. Shea, P. Finch, R. Boots, S. Applegate, L. Watson, S. Netherclift T. Wheeler T. West A. West H. Kissick, C. MacPherson, D. Bayless, D. Rolfe, E. Zahnle & G. Bolloten.
A Re-Edited version of Aldous Huxleys classic, Brave New World… My original plan was to only show parts relevent to present times… Then I realised that this is the blue print for our future… And the future is here, now and present… What we do from here is anyones guess… This should be seen by EVERY HUMAN ALIVE… It is the story of our fate and final destruction… We are already at the tipping point… Don’t accept their bullshit… Fight back with NON COMPLIANCE!!! DO NOT ACCEPT 5G… DO NOT ACCEPT BIO-TECHNICS… DO NOT ACCEPT IMPLANTS, VACCINES, NANO-TECH, etc, etc, etc… The future is ours if we take it… Or leave it to the World Rulling Psychopaths… The choice is YOURS!!!
I LOVE YOU ALL!!!
(Stick around at the end for a very real interview with Aldous Huxley where he explains why yesterdays fiction, is tomorrows reality…)
… Please leave your comments or questions bellow. Also check out my other videos and let me know what you think… Unless you think I’m CrAzY… In which case, I seriously don’t suggest watching the other videos… Just don’t do it… It’s for your own good wink (: For more related videos go to my channels playlists to find a huge selection ranging from Music to Movies, News & Political Affairs, Comedy, Wrestling, Documentaries & loads more… Thanks for watching smile
Stanford University researchers have developed a generative AI model that can choreograph human dance animation to match any piece of music. It’s called Editable Dance GEneration (EDGE).
“EDGE shows that AI-enabled characters can bring a level of musicality and artistry to dance animation that was not possible before,” says Karen Liu, a professor of computer science who led a team that included two student collaborators, Jonathan Tseng and Rodrigo Castellon, in her lab.
The researchers believe that the tool will help choreographers design sequences and communicate their ideas to live dancers by visualizing 3D dance sequences. Key to the program’s advanced capabilities is editability. Liu imagines that EDGE could be used to create computer-animated dance sequences by allowing animators to intuitively edit any parts of dance motion.
In the wake of the AI-generated hit Heart on My Sleeve going viral with deepfakes of multi-platinum artists Drake and The Weeknd, pop star Grimes has invited her fans to create music with her voice.
On Sunday night she tweeted, “I’ll split 50% royalties on any successful AI generated song that uses my voice. Same deal as I would with any artist i collab with. Feel free to use my voice without penalty. I have no label and no legal bindings.”
She added that she’s open to anything anyone wants. “Im just curious what even happens and interested in being a Guinea pig,” She said she welcomes the open sourcing of art and an end to copyright.
In this talk, De Kai examines how AI amplifies fear into an existential threat to society and humanity, and what we need to be doing about it. De Kai’s work across AI, language, music, creativity, and ethics centers on enabling cultures to interrelate. For pioneering contributions to machine learning of AIs like Google/Yahoo/Microsoft Translate, he was honored by the Association for Computational Linguistics as one of only seventeen Founding Fellows worldwide and by Debrett’s HK 100 as one of the 100 most influential figures of Hong Kong. De Kai is a founding Professor of Computer Science and Engineering at HKUST and Distinguished Research Scholar at Berkeley’s ICSI (International Computer Science Institute). His public campaign applying AI to show the impact of universal masking against Covid received highly influential mass media coverage, and he serves on the board of AI ethics think tank The Future Society. De Kai is also creator of one of Hong Kong’s best known world music collectives, ReOrientate, and was one of eight inaugural members named by Google to its AI ethics council. This talk was given at a TEDx event using the TED conference format but independently organized by a local community.
