Do multiverses exist? Is our universe one of many? The multiverse is a key plot device in the hit movie Everything Everywhere All At Once.
But does the multiverse have any basis in science?
Oscars 2023: Cosmologists are trying to figure out if there’s a group of multiple universes running parallel to each other—as seen in the hit movie “Everything Everywhere All At Once”—and whether they might be habitable.
ChatGPT is “going to be a tool, just like the cell phone in your pocket,” says OpenAI’s co-founder.
Greg Brockman, president and co-founder of OpenAI, has suggested that ChatGPT could help enhance the “interactive” entertainment experience.
“Imagine if you could ask your AI to make a new ending that goes a different way and maybe even put yourself in there as a main character or something,” he said during a panel discussion at the 2023 South by Southwest (SXSW) event on Friday.
Joel Carillet/iStock.
Brockman compared the technology to a team of “assistants” who aren’t flawless but are “eager and never sleep,” according to a report by The Hollywood Reporter (THR) on Friday.
Really bad now. BUT, the future of entertainment industry:
Transphobic comments lead to Larry Feinberg’s downfall on Twitch. According to the host, the reason for Feinberg’s bias is an outdated OpenAI language model without a functioning moderation system.
Since mid-December 2022, the small media group Mismatch Media has been running one of the most unusual shows on Twitch (and that’s saying something): Using AI tools like DALL-E, GPT-3, Stable Diffusion, and more, Mismatch Media broadcasts an AI-generated show inspired by the popular U.S. sitcom “Seinfeld” every day, around the clock. “Nothing, Forever” is the name the team has given to their art project.
The AI-generated content is stitched together in the Unity engine to create an audiovisual pixel show reminiscent of early ’90s video games. The jokes rarely have punchlines, the conversations are empty and incoherent, and the audience’s fake applause starts in the wrong places.
Working from home has many of us wondering how we can make this new experience more comfortable and accommodating. lately we’ve seen brands like established & sons collaborate with french designers erwan and ronan bouroullec to create flexible pieces of furniture that really work for these changing times. but this new chair got us both excited and confused as we can’t decide if it’s genius or just borderline crazy. developed by cluvens, the cluvens IW-SK zero-gravity esports gaming chair boast a scorpion shape that cocoons you — if that’s what you like.
The researchers used instruments known as optical traps to throw and catch individual atoms. Scientists have created what they describe as “the world’s smallest ball game with atoms”. Researchers in South Korea have made atoms – the smallest unit of matter – move like balls through the air using a technology known as optical traps.
See my site’s section on movies and transhumanism:
http://www.truefreethinker.com/movies.
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In the first episode of the new season of “Star Trek: Picard,” Raffi (Michelle Hurd), while working for a mysterious, faceless contact within Starfleet, is attempting to locate dangerous stolen technology that can be used as a massively destructive weapon. Raffi catches wind of where the weapon will be used but arrives moments too late to stop it. She watches in horror as the Starfleet recruitment building — the entire massive structure — is sucked into a mysterious portal that is instantaneously formed below it. An exit portal then appears about a mile up and a few miles over, and the building crashes to the ground, crushing its own next-door neighbors.
The practical implications for portal technology will, of course, be immediately evident to anyone who has ever played the 2007 video game “Portal.” That game was predicated on making magical doorways through which the player would pass in order to surmount increasingly complex physics and maze puzzles. If one could form an entrance portal in front of them, and then an exit portal on a platform above, one could easily traverse the world.
Generally speaking, the relationship “Star Trek” has with technology is very positive. Starships allow people to travel the cosmos, replicators have essentially ended hunger, and transporters allow people to visit alien worlds. But often, when new technologies are introduced into “Star Trek,” ethical concerns are immediately raised. What, for instance, is a building-size portal-maker really for besides transporting entire buildings a mile into the air and then dropping them? Characters speak often about how certain machines could handily be weaponized.
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While AI has been a part of game development for years, generative AI’s ability to create assets for games instantly is a relatively new component. This new technology has the capacity to serve as a tool for game developers, especially those with smaller teams — and, according to the creators of Story Machine, it already is.
Generative AI is not without its critics, but Story Machine contends that its intended to work as a creative aid and help for developers, not a replacement. It’s targeted, not at large game studios, but indie developers who don’t have the programming or artistic aptitude to build all of the assets for the games themselves.
My music score for Rotwang’s robot in the silent German expressionist film METROPOLIS by Fritz Lang. 1927.
This film had a major influence on me, but that would come later. When I saw it for the first time I was 9 years old. Little did I know, this scene in particular would haunt me to this day.
I tried to convey the feelings I had as a child, with this composition I call “Phantasmaglorious”; meaning frightening and darkly beautiful. A fitting tribute to Fritz Lang’s masterwork, Alfred Abel as Joh Fredersen, the Master of Metropolis and Rudolf Klein-Rogge as C. A. Rotwang the mad scientist who creates the spectre of my childhood nightmeres.
This movie is the definition of sublime.
One of the often-overlooked parts of movie-making is how Hollywood blockbusters are distributed worldwide. While subtitles are common, dubbed audiences more widely embrace films to the point that certain native stars get associated with English-speaking performers. Variety reports that the Italian dubbing workers and voice actors are going on strike over the studios laying the groundwork to replace them with AI dubbing.
Italian voice actors and dubbing workers have been on strike since February 21st and will continue for at least another week. The complaints from the workers sound very similar to those of Marvel’s VFX contractors: low wages, long hours, and an unsustainable pace of work. Now that AI programs are becoming widely available and more cost-efficient than human work, the union worries dubbing will be fully overtaken by machines.
Rodolfo Bianchi, head of Italy’s dubbing director’s organization ADID, explained, “We are forced to sign contracts in which we give away the rights to the use of our voice, this also involves the use of our voice for artificial intelligence purposes.” AI is already capable of realistic deep fakes, including appropriating celebrity voices, and with how far the technology has come in a relatively short period, Bianchi’s fears are well-founded. While a computer program would struggle to match the tone and tenor of a voice during a dramatic performance, it can be done, and it can be done cheaply.