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Category: cyborgs – Page 100

Natasha is faculty and Program Lead of Graduate Studies at the University of Advancing Technology. Her book The Transhumanist Reader — Classical and Contemporary essays on the Science, Technology and Philosophy of the Human Future is the most read book on transhumanism. She designed the first whole body prosthetic and establishing groundbreaking science on long-term memory after vitrification of C. elegans. Her creative works have been featured in WIRED, The New York Times, The Observer, MIT Technology Review, U.S. News and World Report, YMAZING smile and in more than a dozen documentaries. She is Chair of Humanity Plus.

Natasha Vita-More World Business Dialogue #facingchange #20thwbdialogue #FutureOfHumanity #wow #ymazing Sam Dawkins

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(credit: Neuralink Corp.)

It’s the year 2021. A quadriplegic patient has just had one million “neural lace” microparticles injected into her brain, the world’s first human with an internet communication system using a wireless implanted brain-mind interface — and empowering her as the first superhuman cyborg. …

No, this is not a science-fiction movie plot. It’s the actual first public step — just four years from now — in Tesla CEO Elon Musk’s business plan for his latest new venture, Neuralink. It’s now explained for the first time on Tim Urban’s WaitButWhy blog.

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Earlier this month, Moscow’s Mercedes-Benz Fashion Week showcased some spectacular 3D printed prosthetic arms made by designer Nikita Replyanski and Russian prosthesis manufacturer Motorica. The 3D printed prostheses, inspired by robots and butterflies, were made using Autodesk Fusion 360.

Fashion weeks, whether they’re being held in the “Big Four” fashion capitals of the world or elsewhere, tend to favor style over substance. It’s called a fashion week, after all, not a function week. But that doesn’t mean that the industry events don’t occasionally showcase items that are as sensible as they are stylish. Just have a look at what was on show at Moscow’s Mercedes-Benz Fashion Week earlier this month.

While not usually an event of major global interest like Paris Fashion Week, the Russian fashion show brought together a host of top designers looking to show off their fall/winter 2017–2018 collections. Amongst those designers was Nikita Replyanski, a Russian designer and concept artist who left the computer games industry three years ago to focus on designing physical, non-virtual items. But rather than show off dresses, shoes, hats, Replyanski was presenting something totally different: 3D printed prosthetic arms.

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I do not think, at least at first, that any brain interfaces for the masses will be anything other than organic. Possibly a synthetic virus that can be inserted and removed without the invasion of instruments. Those things we might have to deal with either way are summarized here.

How closely will we live with the technology we use in the future? How will it change us? And how close is “close”? Ghost in the Shell imagines a futuristic, hi-tech but grimy and ghetto-ridden Japanese metropolis populated by people, robots, and technologically-enhanced human cyborgs.

Beyond the superhuman strength, resilience, and X-ray vision provided by bodily enhancements, one of the most transformative aspects of this world is the idea of brain augmentation, that as cyborgs we might have two brains rather than one. Our biological brain—the “ghost” in the “shell”—would interface via neural implants to powerful embedded computers that would give us lightning-fast reactions and heightened powers of reasoning, learning and memory.

Continue reading “Ghost in the Shell Thrills, But Ducks the Philosophical Questions Posed by a Cyborg Future” | >

Its six compact jet engines will send you hurtling through the sky at 100 mph.

The media is bursting at its seams with what seems to be the superhero revolution. Comic book publishers like Marvel and DC have spilled over onto the big screen, and now it may look as though they’re spilling over into our technology in the real world. While we have been making efforts at a superhero heads up display or an iron man workout suit, we are also inching our way up to a functional flight suit.

Gravity is a British technology start-up started by Richard Browning on March 31, 2017. The company has developed a human propulsion system to re-imagine manned flight. With miniaturized jet engines and a customized exoskeleton, the Daedalus is expected to push us into a new era of aviation. Browning and his team developed the suit over the course of 2016, with the team’s journey covered in this short documentary:

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The team tested their device on a prosthetic hand. When the skin patches on the skin were enabled, the prosthetic could touch and grab soft objects like a normal hand. But when the skin was not turned on, the hand crushed the objects.

The skin requires just 20 nanowatts of power per square centimeter, according to the paper. Right now, the energy captured by the photovoltaic cells has to be used immediately, but the team has another prototype in development that includes flexible supercapacitors to store excess energy.

They are also working on scaling up the material to cover larger areas of a prosthetic or robot, using a method the team pioneered in 2015 for inexpensively producing large sheets of graphene. Dahiya expects the skin will eventually be produced for just $1 for 5 to 10 centimeters of the material.

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