Veronica Roth (Tor)
THERE isn’t much world-building in Veronica Roth’s sci-fi retelling of Sophocles’s classic Greek tragedy Antigone. Then again, in Arch-Conspirator, there isn’t much world. A dusty dystopian city (Thebes in the original, but it isn’t clear where we are in the reboot) is all that remains after a thinly sketched environmental polycrisis has turned humanity into an endangered species.
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