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American billionaire Elon Musk has begun preparing the public for the failed launch of the Starship spacecraft. But the head of SpaceX promises that the launch will be impressive.

Here’s What We Know

Starship will be used in 2025 to land humans on the moon as part of the Artemis III mission. The spacecraft is also due to take part in manned missions to Mars 20 years from now. However, it needs at least one successful flight test to begin with.

Our trusted and proven sources were correct once again, as just hours after we broke the news that a Gattaca series is in development at Showtime, The Hollywood Reporter confirmed our exclusive. One of our writers here at Giant Freakin Robot wrote just two weeks ago that the 1997 dystopian sci-fi classic would be perfect as a television series, and it’s amazing how quickly we went from hoping it would happen to confirming that it is. The new series will be coming from the creators of Homeland, Howard Gordan and Alex Gansa.

As noted in our initial report, this is not the first time the film, starring Ethan Hawke, Uma Thurman, and Jude Law, has been optioned as a series. Back in 2009, Sony attempted to turn the movie into a procedural from Gil Grant, a writer on 24 and NCIS. The underrated cult-classic movie is ideal for transforming into a prestige series on a premium network as its themes on transhumanism, genetic manipulation, and a stratified society have become more relevant as technology leaps forwards every year.

In Gattaca, eugenics separates society into “valids” and “in-valids,” even if genetic discrimination is illegal; that hasn’t stopped businesses from profiling, giving the best jobs to the former and only menial labor opportunities to the latter. Ethan Hawke plays Vincent, an in-valid with a heart defect that uses samples from Jude Law’s Jerome Morrow, a paralyzed Olympic champion swimmer that’s also a valid. Using the purloined DNA, Vincent cons his way into a job at Gattaca Aerospace Corporation, eventually being selected as a navigator for a trip to Saturn’s moon, Titan.

It’s a theoretical concept, but realistic enough that NASA’s Innovative Advanced Concepts program has given Davoyan’s group $175,000 to show that the technology is feasible. “There’s rich physics in there,” says Davoyan, a mechanical and aerospace engineer at UCLA. To create propulsion, he continues, “you either throw the fuel out of the rocket or you throw the fuel at the rocket.” From a physics perspective, they work the same: Both impart momentum to a moving object.

His team’s project could transform long-distance space exploration, dramatically expanding the astronomical neighborhood accessible to us. After all, we’ve only sent a few robotic visitors to scope out Uranus, Neptune, Pluto, and their moons. We know even less about objects lurking farther away. The even smaller handful of NASA craft en route to interstellar space include Pioneer 10 and 11, which blasted off in the early 1970s; Voyager 1 and 2, which were launched in 1977 and continue their mission to this day; and the more recent New Horizons, which took nine years to fly by Pluto in 2015, glimpsing the dwarf planet’s now famous heart-shaped plain. Over its 46-year journey, Voyager 1 has ventured farthest from home, but a pellet-beam-powered craft could overtake it in just five years, Davoyan says.

He takes inspiration from Breakthrough Starshot, a $100 million initiative announced in 2016 by Russian-born philanthropist Yuri Milner and British cosmologist Stephen Hawking to use a 100-gigawatt laser beam to blast a miniature probe toward Alpha Centauri. (The star nearest our solar system, it resides “only” 4 light-years away.) The Starshot team is exploring how they could hurl a 1-gram craft attached to a lightsail into interstellar space, using the laser to accelerate it to 20 percent of the speed of light, which is ludicrously fast and would reduce travel time from millennia to decades. “I’m increasingly optimistic that later this century, humanity’s going to be including nearby stars in our reach,” says Pete Worden, Breakthrough Starshot’s executive director.

Two new effects on TikTok can give users sculpted cheekbones, plumped lips, or a younger look with the push of a button. But this hyper-realistic image-altering tech also spurs backlash. WSJ reporter Sara Ashley O’Brien joins host Zoe Thomas to discuss how these filters work and why some experts say they could damage users’ mental health. Photo: Storyblocks.