“Stream the outputs of the MusicGen text-to-music model by playing the generated audio as soon as the first chunk is ready.”
Discover amazing ML apps made by the community.
Category: media & arts – Page 40
As creative industries grapple with AI’s explosion into every artistic medium at once, separate calls from artists warning the world to take action before it’s too late are starting to converge. From fake Drake songs to stylized Instagram profile pictures, art conjured with newly sophisticated AI tools is suddenly ubiquitous — and so are conversations about how to rein in the technology before it does irrevocable harm to creative communities.
This week, digital rights organization Fight for the Future partnered with music industry labor group United Musicians and Allied Workers to launch #AIdayofaction, a campaign that calls on Congress to block corporations from obtaining copyrights on music and other art made with AI.
The idea is that by preventing industry behemoths like major record labels, for example, from copyrighting music made with the assistance of AI, those companies will be forced to keep looping humans into the creative process. But those same concerns — and the same potential strategies for pushing back against the onslaught of AI — exist across creative industries.
During the surprise assault on Israel by Palestinian militant group Hamas Saturday, gunmen opened fire on hundreds of young people during a dance music festival in the southern Israeli kibbutz of Re’im near the Gaza Strip, according to the Associated Press and multiple Israeli media outlets.
Witnesses told the Times of Israel that rocket fire was followed by gunshots fired into the crowd, as hundreds tried to flee.
“The music stopped and there was a rocket siren,” a young woman called Ortal told Israel’s Channel 12, according to Reuters. “Suddenly out of nowhere, they started shooting.”
What would we do without compression?
Those music libraries and personal photo and video collections that would force us to purchase one hard drive after another can instead be squeezed into portions of a single drive.
Compression allows us to pull up volumes of data from the Internet virtually instantaneously.
Researchers from the University of Jyväskylä were able to simplify the most popular technique of artificial intelligence, deep learning, using 18th-century mathematics. They also found that classical training algorithms that date back 50 years work better than the more recently popular techniques. Their simpler approach advances green IT and is easier to use and understand.
The recent success of artificial intelligence is significantly based on the use of one core technique: deep learning. Deep learning refers to artificial intelligence techniques where networks with a large number of data processing layers are trained using massive datasets and a substantial amount of computational resources.
Deep learning enables computers to perform complex tasks such as analyzing and generating images and music, playing digitized games and, most recently in connection with ChatGPT and other generative AI techniques, acting as a natural language conversational agent that provides high-quality summaries of existing knowledge.
Summary: A recent study hints at a harmonious synchronization of movement, heart rate, and even the excitement level among audience members during classical concerts.
This in-depth exploration into the physical responses of 132 individuals during a live performance of classical pieces unveiled a fascinating cohesion in their bodily rhythms, notably in heart and breathing rates. Interestingly, personality traits, such as agreeableness and openness, appeared to elevate the propensity for such synchronization among listeners.
This novel insight opens up a captivating dialogue about the intertwining of music, communal experience, and individual physical responses.
For me, one of the most exciting aspects of the recent wave of generative AI technology is the democratizing impact it has on creativity. We’ve seen how anyone can use tools like ChatGPT or Midjourney to express their ideas with words or pictures. And the way we create and listen to music is about to be turned on its head, too.
Loudly is a generative AI-driven music platform that aims to allow anybody to “create, customize and discover music.” Recently, I was joined by founder and CEO Rory Kenny for my podcast, covering a number of topics that I personally find fascinating.
Does AI threaten human creativity by ushering in a future where all of our art and entertainment is conjured up from… More.
Explore how Loudly, an innovative AI-driven music platform, is revolutionizing and democratizing music creation, enabling users to craft unique soundtracks.
A collection of the first 20 Shorts from SFIA, covering a wide range of topics in science & space.
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Support us on Subscribestar: https://www.subscribestar.com/isaac-a… Group: https://www.facebook.com/groups/15839… eddit: https://www.reddit.com/r/IsaacArthur/ Twitter: https://twitter.com/Isaac_A_Arthur on Twitter and RT our future content. SFIA Discord Server: https://discord.gg/53GAShE Credits: Science & Futurism Shorts Compilation #1: 1–20 Episode 414a, October 1, 2023 Written, Produced & Narrated by: Isaac Arthur Music Courtesy of: Epidemic Sound http://epidemicsound.com/creator 00:00 Intro 00:30 Quasar Cannon 1:30 Birch Planets: Galaxy-Sized Worlds 2:30 Aliens Beyond the Galactic Rim 3:30 BWC Megastructures & Artificial Planets 4:29 Hegemonizing Swarms 5:29 Solar Moths & Solar Sails 6:27 Fusion Candles 7:12 Non-Equatorial Space Elevators 8:10 Building Artificial Planets 9:10 Computronium 10:13 Deciphering Alien Codes 11:12 Astrochickens & Von Neumann Probes 12:12 Could Dinosaurs have Been killed by Aliens? 13:11 Will Humans In Space Be Taller? 14:02 The Stanford Torus 15:02 Could Technology Bring You Back to Life? 16:02 Is our galaxy going to Collide with Andromeda? 16:58 The Bernal Sphere 17:55 Nuclear Lightbulb Spaceship Drive 18:55 Von Braun Space Station 19:54 Close.
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Credits: Science & Futurism Shorts Compilation #1: 1–20
Episode 414a, October 1, 2023
Written, Produced & Narrated by: Isaac Arthur.
Music Courtesy of:
Epidemic Sound http://epidemicsound.com/creator.
00:00 Intro.
00:30 Quasar Cannon.
1:30 Birch Planets: Galaxy-Sized Worlds.
2:30 Aliens Beyond the Galactic Rim.
3:30 BWC Megastructures & Artificial Planets.
4:29 Hegemonizing Swarms.
5:29 Solar Moths & Solar Sails.
6:27 Fusion Candles.
7:12 Non-Equatorial Space Elevators.
8:10 Building Artificial Planets.
9:10 Computronium.
10:13 Deciphering Alien Codes.
11:12 Astrochickens & Von Neumann Probes.
12:12 Could Dinosaurs have Been killed by Aliens?
13:11 Will Humans In Space Be Taller?
14:02 The Stanford Torus.
15:02 Could Technology Bring You Back to Life?
16:02 Is our galaxy going to Collide with Andromeda?
16:58 The Bernal Sphere.
17:55 Nuclear Lightbulb Spaceship Drive.
18:55 Von Braun Space Station.
19:54 Close
The transition to Artificial General Intelligence (AGI) signifies more than a change in terminology; it represents a major leap in capabilities. It will take many years for AGI to be fully realized, but we are well underway in this evolution. In the meantime, most of the AI applications developed remain classified as NarrowAI.
Simply, AGI is any task that a human can do could be accomplished by general AI. It technically has all the potential of a human brain. It could tackle any problem or task in any area, whether it be music composition or logistics—all the potential actions humans can perform.
This article discusses General AI and highlights how the AI industry is unfolding advancing efforts to develop General AI.
The instrumental title track “I Robot”, together with the successful single “I Wouldn’t Want To Be Like You”, form the opening of “I Robot”, a progressive rock album recorded by The Alan Parsons Project and engineered by Alan Parsons and Eric Woolfson in 1977. It was released by Arista Records in 1977 and re-released on CD in 1984 and 2007. It was intended to be based on the “I, Robot” stories written by Isaac Asimov, and actually Woolfson spoke with Asimov, who was enthusiastic about the concept. However, as the rights had already been granted to a TV/movie company, the album’s title was altered slightly by removing the comma, and the theme and lyrics were made to be more generically about robots rather than specific to the Asimov universe. The cover inlay reads: “I ROBOT… HE STORY OF THE RISE OF THE MACHINE AND THE DECLINE OF MAN, WHICH PARADOXICALLY COINCIDED WITH HIS DISCOVERY OF THE WHEEL… ND A WARNING THAT HIS BRIEF DOMINANCE OF THIS PLANET WILL PROBABLY END, BECAUSE MAN TRIED TO CREATE ROBOT IN HIS OWN IMAGE.” The Alan Parsons Project were a British progressive rock band, active between 1975 and 1990, founded by Eric Woolfson and Alan Parsons. Englishman Alan Parsons (born 20 December 1948) met Scotsman Eric Norman Woolfson (18 March 1945 — 2 December 2009) in the canteen of Abbey Road Studios in the summer of 1974. Parsons had already acted as assistant engineer on The Beatles’ “Abbey Road” and “Let It Be”, had recently engineered Pink Floyd’s “The Dark Side Of The Moon”, and had produced several acts for EMI Records. Woolfson, a songwriter and composer, was working as a session pianist, and he had also composed material for a concept album idea based on the work of Edgar Allan Poe. Parsons asked Woolfson to become his manager and Woolfson managed Parsons’ career as a producer and engineer through a string of successes including Pilot, Steve Harley, Cockney Rebel, John Miles, Al Stewart, Ambrosia and The Hollies. Parsons commented at the time that he felt frustrated in having to accommodate the views of some of the musicians, which he felt interfered with his production. Woolfson came up with the idea of making an album based on developments in the film industry, where directors such as Alfred Hitchcock and Stanley Kubrick were the focal point of the film’s promotion, rather than individual film stars. If the film industry was becoming a director’s medium, Woolfson felt the music business might well become a producer’s medium. Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons’ respective talents. Parsons would produce and engineer songs written by the two, and The Alan Parsons Project was born. This channel is dedicated to the classic rock hits that have become part of the history of our culture. The incredible AOR tracks that define music from the late 60s, the 70s and the early 80s… lassic Rock is here!
Check out my newer music videos and other fun stuff at:
www.youtube.com/djbuddylove3000
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www.youtube.com/djbuddyloveoldschool.
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www.youtube.com/djbuddyloveraproots.
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www.youtube.com/djbuddylovecooljazz.
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