Lifeboat Foundation

After a few weeks of hard work and dedication, Cyberlife is now completely available to the public. This new webzine will be primarily focused on showcasing the culture of transhumanism, a philosophical and scientific movement that has been gaining momentum over the past few years. Here, you can turn your brain off for an hour at a time to read about the newest trends, listen to music, and admire the artistic talent of our staff members. We are still looking for more people to contribute, so here is a short list of what we are looking for:

Literature: Cyberlife does support the literary arts and this is how we do it. If you have some random short stories lying around that you have never published, submit them to us. We would love to read some short fiction that relates to transhumanism in some way. We do ask that you limit the piece to 10 pages so it doesn’t break the site. We will accept works that are explicit, but keep the eroticism to a minimum. Once again, make it tasteful.

Articles: We are still looking for authors that focus on articles and op-ed pieces. We are looking for people that have knowledge on these subjects:

Jean-Michel Jarre’s official music video for “Revolutions“
Listen to Revolutions: https://lnk.to/jmj_rvltns!rev.

Equinoxe Infinity out now: https://lnk.to/jmj_ei!rev.

Continue reading “Jean-Michel Jarre — Revolutions (Official Music Video)” »

The first 100 people to use code UNIVERSE at the link below will get 60% off of Incogni: https://incogni.com/universe.

Researched and Written by Colin Stuart.
Check out his superb Astrophysics for Beginners course here: https://www.colinstuart.net/astrophysics-course-for-beginner…on-online/

Continue reading “Is Time Travel Possible In Our Universe?” »

Either the great copyright battle pitting the record industry against generative artificial intelligence has begun or someone’s clout-chasing AI headlines.

The generative AI music hype train only needed about 48 hours to go from “oh, that’s interesting” to full Balenciaga pope territory, and while it’s clear someone is using the technology to run a scheme, we’re still not sure who it is.

Continue reading “What’s really going on with ‘Ghostwriter’ and the AI Drake song?” »

Summary: Listening to or practicing music had positive implications on cognitive decline in older adults by stimulating the production of gray matter in key brain areas, a new study reveals.

Source: University of Geneva.

Normal aging is associated with progressive cognitive decline. But can we train our brain to delay this process?

Collossus the forbin project soundtrack.

Universal Pictures presents the debut title in the Universal Pictures Film Music Classics Collection — the world premiere release of renowned composer Michel Colombier’s (UNE CHAMBRE EN VILLE, AGAINST ALL ODDS, RUTHLESS PEOPLE, THE GOLDEN CHILD) original motion picture score to the 1970 classic sci-fi feature film COLOSSUS: THE FORBIN PROJECT, starring Eric Braeden, Susan Clark and Gordon Pinsent, and directed by Joseph Sargent. Never before officially available in any format, Colombier’s wildly inventive score finally gets the deluxe treatment it deserves. It’s a musical marvel, and key to the film’s unending cult status, as it expertly balances cold suspense and unrelenting dread with moving emotion and even romance. The music program of this release was produced, mixed into stereo from 3-channel split elements, and mastered by Mike Matessino.

A song featuring the voices of Drake and The Weeknd called “Heart On My Sleeve” has amassed over 250,000 Spotify streams and 10 million views on TikTok. But the two renowned musicians had nothing to do with the song — an artist going by the name “ghostwriter” generated the song using AI.

Drake and The Weeknd have not yet responded to the song, but Drake recently commented on AI-generated music that rips off his voice. When Drake noticed an AI model of himself singing “Munch” by Ice Spice, he wrote on his Instagram story, “This is the final straw AI.” It’s possible he was messing around, but he would be far from the first major artist to take issue with the rising count of deepfake songs.

In 2020, Jay-Z’s agency Roc Nation submitted copyright strikes against YouTube uploads of AI-generated Jay-Z deepfakes, but YouTube ended up reinstating the videos. And just last week, the same thing happened to Eminem; UMG, which represents both of these rappers, issued a copyright strike on AI-generated YouTube videos of Eminem rapping about cats.

One evening, some 40 years ago, I got lost in time. I was at a performance of Schubert’s String Quintet in C major. During the second movement I had the unnerving feeling that time was literally grinding to a halt. The sensation was powerful, visceral, overwhelming. It was a life-changing moment, or, as it felt at the time, a life-changing eon.

It has been my goal ever since to compose music that usurps the perceived flow of time and commandeers the sense of how time passes. Although I’ve learned to manipulate subjective time, I still stand in awe of Schubert’s unparalleled power. Nearly two centuries ago, the composer anticipated the neurological underpinnings of time perception that science has underscored in the past few decades.

The human brain, we have learned, adjusts and recalibrates temporal perception. Our ability to encode and decode sequential information, to integrate and segregate simultaneous signals, is fundamental to human survival. It allows us to find our place in, and navigate, our physical world. But music also demonstrates that time perception is inherently subjective—and an integral part of our lives. “For the time element in music is single,” wrote Thomas Mann in his novel, The Magic Mountain. “Into a section of mortal time music pours itself, thereby inexpressibly enhancing and ennobling what it fills.”

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