{"id":196671,"date":"2024-09-26T03:22:58","date_gmt":"2024-09-26T08:22:58","guid":{"rendered":"https:\/\/lifeboat.com\/blog\/2024\/09\/worlds-first-ai-art-museum-to-explore-creative-potential-of-machines-in-la"},"modified":"2024-09-26T03:22:58","modified_gmt":"2024-09-26T08:22:58","slug":"worlds-first-ai-art-museum-to-explore-creative-potential-of-machines-in-la","status":"publish","type":"post","link":"https:\/\/lifeboat.com\/blog\/2024\/09\/worlds-first-ai-art-museum-to-explore-creative-potential-of-machines-in-la","title":{"rendered":"World\u2019s first AI art museum to explore \u2018creative potential of machines\u2019 in LA"},"content":{"rendered":"<p><a class=\"aligncenter blog-photo\" href=\"https:\/\/lifeboat.com\/blog.images\/worlds-first-ai-art-museum-to-explore-creative-potential-of-machines-in-la2.jpg\"><\/a><\/p>\n<p>Dataland co-founder Refik Anadol, 38, is a media artist whose \u201c<a href=\"https:\/\/www.newyorker.com\/goings-on-about-town\/art\/refik-anadol-unsupervised\">crowd-pleasing \u2013 and controversial<\/a>\u201d works using artificial intelligence have been displayed around the world, including at the Museum of Modern Art in New York, the <a href=\"https:\/\/www.serpentinegalleries.org\/whats-on\/refik-anadol-echoes-of-the-earth-living-archive\/\">Serpentine<\/a> and, most recently, the United Nations headquarters.<\/p>\n<p>In the past two years, Anadol has found himself at the center of debates over the value of AI-generated art, as crowds have been <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2024\/apr\/08\/artists-ai-dilemma-can-artificial-intelligence-make-intelligent-art\">reportedly \u201ctransfixed\u201d<\/a> by his massive interactive digital canvases, while some art critics have panned them as <a href=\"https:\/\/www.vulture.com\/article\/jerry-saltz-moma-refik-anadol-unsupervised.html\">over-hyped and mediocre<\/a>.<\/p>\n<p>Now Anadol is looking to build artists like himself a permanent exhibition space among some of LA\u2019s most prominent high-culture venues, and he is pledging that the AI art museum will promote \u201cethical AI\u201d and use <a href=\"https:\/\/www.wired.com\/story\/ai-energy-demands-water-impact-internet-hyper-consumption-era\/\">renewable energy sources<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dataland co-founder Refik Anadol, 38, is a media artist whose \u201ccrowd-pleasing \u2013 and controversial\u201d works using artificial intelligence have been displayed around the world, including at the Museum of Modern Art in New York, the Serpentine and, most recently, the United Nations headquarters. In the past two years, Anadol has found himself at the center [\u2026]<\/p>\n","protected":false},"author":396,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,17],"tags":[],"class_list":["post-196671","post","type-post","status-publish","format-standard","hentry","category-robotics-ai","category-sustainability"],"_links":{"self":[{"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/posts\/196671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/users\/396"}],"replies":[{"embeddable":true,"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/comments?post=196671"}],"version-history":[{"count":0,"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/posts\/196671\/revisions"}],"wp:attachment":[{"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/media?parent=196671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/categories?post=196671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lifeboat.com\/blog\/wp-json\/wp\/v2\/tags?post=196671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}